0:00/0:00
// All Cried Out — Allure
// 70 bpm, 4/4, key Db major. Source: midi.
// Generated by strudelify. One cycle = one bar.
// note: sustain pedal (CC 64) lengthens the held notes
// note: Full arrangement: all 84 bars on a 16-step grid, each part at one level. Source detail keeps the original performance.
setcpm(70/4)
// Notation: c3@3 lasts 3 steps · ~ is a rest · [c3,e3] is a chord · "a, b" plays two voices at once · [...]/2 spreads a riff over 2 bars.
// A part's distinct bars are riffs (A, B, C...) played in order: edit a riff to change every repeat.
// chords · piano · "Right Hand"
const piano = note(`<
A@4 B@3 C D@2 E F G H I J K L M N O P Q R S@2 T U V W X Y Z B@3 C D@2 E F G H AA AB K L M N O P Q R S@2 T U V W X Y AC
P Q R S@2 T U AD AE@3 AF AG AH AI@8
>`.pickRestart({
A: "[~@7 ab4, ab5@7 g5 ab5@7 g5 ab5@7 g5 ab5@8, ~ g5@5 eb5@3 g5@5 eb5@3 g5@5 eb5@3 g5@7, ~@2 eb5@3 bb4@5 eb5@3 bb4@5 eb5@3 bb4@5 eb5@6, ~@3 bb4 ab4@7 bb4 ab4@7 bb4 ab4@7 bb4@5]/4",
B: "[[f4,ab4]@2 db5!2 db5@2 db5!2 [f4,ab4,db5]@2 [f4,ab4,eb5]@2 [ab4,db5,f5]@2 [db5,f5,ab5]@4 [f4,ab4,db5]@2 [f4,ab4,db5] db5!2 eb5 [ab4,db5,f5]@2 [db5,f5,ab5]@2 [c5,eb5,bb5]@2 c6@4 bb5@3 ab5 bb5@2 ab5@3 ~ [db5,f5,ab5]@2 f5@2, ~@38 [db5,f5]@5 ~@5]/3", // Fm Db Fm7 Db Cm7 Db
C: "eb5@3 f5@8 ~ ab4 bb4 c5@2, [ab4,c5]@11 ~@5", // Ab
D: "[db5@2 db5@2 db5@2 db5@2 [f4,ab4,db5]@2 [f4,ab4,eb5]@2 [ab4,db5,f5]@2 [db5,f5,ab5]@4 db5!2 [f4,ab4,db5]@2 [f4,ab4,eb5]@2 [ab4,db5,f5]@2 ab5@2 [c5,eb5,bb5]@2 [eb5,ab5,c6]@2, [f4,ab4]@7 ~@25]/2", // Db Fm7 Db Fm7 Db Cm7 Ab Fm
E: "[c5,eb5,bb5]@3 ~ [c5,eb5,bb5]@2 [db5,f5,ab5]@5 ~ [f4,bb4,db5]@2 f5@2", // Cm7 Db Bbm
F: "[gb4,c5,eb5]@4 [gb4,c5,eb5] [gb4,c5,f5]@8 bb4@2 ab4", // Cdim F
G: "[bb3,db4,gb4,ab4]@7 ~ [db4,gb4,bb4]@2 c5@2 [gb4,bb4,db5]@2 f5@2", // Gb
H: "[bb4,db5,gb5]@3 ~ [bb4,db5,gb5]@3 ~ [bb4,db5,gb5]@2 f5@2 [bb4,db5,f5]@2 [bb4,db5,f5]@2", // Gb Bbm
I: "[ab4,c5,eb5]@2 [ab4,c5,eb5]@3 ~ [ab4,c5,f5]@5 ~ [ab4,ab5] [bb4,bb5] [db5,db6] [ab5,ab6]", // Ab Fm Ab Bb Db Ab
J: "[bb4,db5,gb5]!5 ab5 [bb4,db5,gb5] [bb4,db5,ab5], gb6 ~@15", // Gb Bbm7
K: "[ab4,c5,gb5]@2 f5@2 [ab4,c5,eb5]@2 [ab4,c5,f5]@2 [ab4,c5,eb5] db5 [ab4,c5,eb5]@5 ~", // Ab7 Ab Fm Ab
L: "[bb4,db5,gb5]@2 [bb4,db5,gb5]@2 [bb4,db5,gb5] gb5!3 [bb4,db5,gb5]@2 [bb4,db5,f5]@2 [gb4,bb4,eb5]@2 f5@2", // Gb Bbm Ebm
M: "eb5@5 f5@6 [ab5,ab6] [gb5,gb6] [f5,f6] [db5,eb5,eb6] [db5,db6], [ab4,c5]@11 ~@5", // Ab Gb F Dbsus2 Db Ab
N: "[bb4,db5,gb5]!3 [bb4,db5,ab5] [db5,gb5,bb5]!4", // Gb Bbm7 Gb
O: "[c5,eb5,a5]@2 [c5,eb5,a5]@2 [c5,eb5,a5]@2 [c5,eb5,bb5]@2 [eb5,a5,c6]@5 db6 c6@2", // Adim Cm7 Adim
P: "[db5,f5,bb5]@2 ~@2 [f5,bb5,db6]@7 ~ [db5,f5,bb5]!2 ~ bb5", // Bbm
Q: "bb5 ab5!2 ab5@2 ab5@2 bb5@2 ab5@2 bb5@4 db5, [c5,eb5]@7 [c5,eb5]@8 ~", // Cm
R: "[bb4,db5,gb5] gb5!3 [bb4,db5,gb5]@2 [bb4,db5,ab5]@2 [db5,gb5,bb5]@2 [db5,gb5,bb5]@5 bb5", // Gb Bbm7 Gb
S: "[[c5,eb5,a5]@2 a5!2 [c5,eb5,a5]@2 [c5,eb5,bb5]@2 c6@2 db6 c6@3 db6 ~ [db5,f5]@2 ~ f5 [f5,bb5,db6]@7 ~ [db5,f5,bb5]!2 ~ bb5, ~@8 [eb5,a5]@7 bb5@3 ~@14]/2", // Adim Cm7 Db Bbm Ebdim
T: "bb5@2 ab5 ab5@2 gb5@2 gb5 f5 eb5 db5@2 ab4 bb4 ~ db5, [c5,eb5]@7 ab4@4 ~@5", // Cm
U: "[bb4,db5,gb5]@3 ~ f5 eb5 db5@2 [gb4,bb4,db5]@5 ~ bb4 f5, ~@4 [gb4,bb4]@3 ~@9", // Gb
V: "eb5@3 f5@8 ~ bb4@2 ab4@2, [ab4,db5]@11 ~@5", W: "[f4,ab4,db5]@3 ~ db4@3 ~ [ab3,db4,f4]@3 ~ ab4 ab3@3",
X: "~ ab3 db4 eb4 [ab3,db4,f4] ab4 [c4,eb4,bb4] c5", Y: "[eb4,ab4,c5]@3 ~ ab4@2 [ab3,db4,f4]@4 ab3@2 db4 eb4 f4@2",
Z: "[gb3,ab3,db4]@2 gb3@2 [gb3,ab3,db4]@3 ~ [gb3,ab3,c4]@7 ~", // Gbsus2 Ab7
AA: "[ab4,c5,eb5]@2 [ab4,c5,eb5]@3 ~ [ab4,c5,f5]@5 [ab5,ab6] [gb5,gb6] [f5,f6] [eb5,eb6] [db5,db6]", // Ab Fm Ab Gb F Eb Db
AB: "[bb4,db5,gb5]!5 ab5 [bb4,db5,gb5] [bb4,db5,ab5]", // Gb Bbm7
AC: "[c5,eb5,bb5]@3 ~ [c5,eb5,a5]@2 f5@2 [c5,eb5,bb5]@3 ~ [eb5,a5,c6]@3 ~", // Cm7 Adim Cm7 Adim
AD: "eb5@5 f5@3 [ab3,db4,eb4,gb4]@5 bb4 ~ db5, [ab4,db5]@7 ~@9", // Absus4 Db5
AE: "[[bb4,db5,gb5]@3 ~ [bb4,db5,ab5] gb5 ~ ab5 [db5,gb5,bb5]@5 ~ ab5 db6@2 c6 ~ bb5 ab5@3 f5 [c5,eb5,bb5]@15 ~ [eb6,ab6]@3 ~ db6@2 c6@2, ~@40 db6 ~@7]/3", // Gb Bbm7 Gb Cm7 Ab5
AF: "[e5,ab5,db6]@15 ~", AG: "[eb5,gb5,b5]@13 ~ eb6@2", AH: "[f5,ab5,db6]@15 ~",
AI: "[~@11 ab4@4 ~, ab5@7 g5 ab5@7 g5 ab5@7 g5 ab5@7 g5 [ab5,bb5,eb6]@11 bb4@16 ~@5, ~ g5@5 eb5@3 g5@5 eb5@3 g5@5 eb5@3 g5@5 eb5@3 g5@5 eb5 g5 [c6,ab6,bb6,eb7]@16 ~@8, ~@2 eb5@3 bb4@5 eb5@3 bb4@5 eb5@3 bb4@5 eb5@3 bb4@5 eb5@3 bb4@4 g5@16 ~@7, ~@3 bb4 ab4@7 bb4 ab4@7 bb4 ab4@7 bb4 ab4@7 bb4 ab4@6 eb5@16 ~@6]/8", // Absus2 Ab
})).s("gm_piano").gain(0.22)
// other · piano · "Left Hand"
const piano_2 = note(`<
~@2 A B C D E F C D E G H I F J K I F I L M N I L M N I O C D P G C D E F C D E G H I F J K I F I L M N I L M N I O C
D P Q M N I L M N I O I R O S T U V@4 ~@4
>`.pickRestart({
A: "[db2,db3]@13 ~ ab2@2", B: "[db2,db3]@11 ~ db3@3 ~", C: "db3@5 ~ db3@2 db3@5 ~ ab2@2",
D: "db3@5 ~ db3@2 db3@3 ~ c3@3 ~", E: "bb2@5 ~ bb2@2 bb2@5 ~ bb2@2", F: "ab2@5 ~ ab2@2 ab2@5 ~ ab2@2",
G: "ab2@5 ~ ab2@2 ab2@3 ~ ab2@3 ~", H: "ab2@3 ~ ab2@3 ~ ab2@3 ~ ab2@3 ~", I: "gb2@5 ~ gb2@2 gb2@7 ~",
J: "gb2@5 ~ gb2@2 gb2@5 ~ gb2@2", K: "ab2@5 ~ ab2@2 ab2@3 ~ ab2@2 f2@2", L: "f2@5 ~ f2@2 a2@3 ~ a2@3 ~",
M: "bb2@2 ~@2 bb2@7 ~ bb2!2 ~@2", N: "ab2@5 ~ gb2@2 f2@5 ~ f2@2", O: "ab2@5 ~ ab2@2 ab2@7 ~", P: "bb2@5 ~ bb2@9 ~",
Q: "f2@3 ~ f2@3 ~ f2@3 ~ f2@3 ~", R: "ab2@5 ~ ab2@2 ab2@5 ~ eb2@2", S: "a2@5 ~ a2@2 a2@7 ~", T: "b2@5 ~ b2@2 b2@7 ~",
U: "db3@5 ~ db3@2 db3@7 ~", V: "[[db2,db3]@31 ~]/2",
})).s("gm_piano").gain(0.15)
stack(piano, piano_2)
More by
Not in the database
That song isn't here.
Nothing in the database matches this link. It may have been renamed, or the address was mistyped. The closest songs to :
Real transcriptions · Editable patterns · Instrumental
Type a song.
Get Strudel code.
Chords, structure, melody, bass and drums compiled from open transcriptions into Strudel live-coding patterns. Play it here, scrub through the bars, then open it in strudel.cc and start hacking.
Smells Like Teen SpiritNirvana
The JokerSteve Miller Band · 1973
Love Me DoThe Beatles · 1964
I Don't MindJames Brown · 1961
- Real transcriptionsMcGill chord charts, Lakh MIDI and quality-filtered PDMX scores. The library includes alternate transcriptions of some songs.
- One bar, one cycleEvery layer follows the same bar timeline, keeping the code, playback and song structure aligned.
- Instrumental by designDetected vocal parts are removed. Guitar riffs, harmonica and other instrumental leads stay.