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// No Time To Die — Billie Eilish & Finneas O'Connell
// 76 bpm, 4/4, key G major. Source: midi.
// Generated by strudelify. One cycle = one bar.
// note: ch 4 "Violin II" named as a string part, played on violin (its piano patch is not one)
// note: sustain pedal (CC 64) lengthens the held notes
// note: Transcription provider: pdmx. https://musescore.com/score/5980523; license: https://creativecommons.org/publicdomain/zero/1.0/
// note: Full arrangement: all 69 bars on a 32-step grid, each part at one level; ghost notes are separate "_soft" parts. Source detail keeps the original performance.
setcpm(76/4)
// Notation: c3@3 lasts 3 steps · ~ is a rest · [c3,e3] is a chord · "a, b" plays two voices at once · [...]/2 spreads a riff over 2 bars.
// A part's distinct bars are riffs (A, B, C...) played in order: edit a riff to change every repeat.
// chords · violin · "Violin I"
const violin = note(`<
~@5 A B C D@2 E@2 F@2 G H I@2 J@2 K@2 L M ~@4 N O N P Q@4 R@2 S T U@2 V@2 W@2 X Y Z AA AB AC@3 AD AE@2 AF@2 AG@2 AH AI
AJ@3 AK@3
>`.pickRestart({
A: "e5", B: "a5", C: "f#5", D: "[~@4 e4@4 d4@6 c4 b3@9 ~@8]/2", E: "[~@4 e4@4 f#4@6 g4 e4@9 ~@8]/2",
F: "[~@4 e4@4 d4@6 c4 b3@9 ~@4 b3@3 c4]/2", G: "b3@3 c4 b3@3 c4 b3@3 c4 b3@3 g3", H: "b3@3 ~",
I: "[e4@4 e4@4 [c4,d4]@6 c4 ~ c#4@8 c4@8, ~@15 b3@9 ~@8]/2", // Csus2
J: "[e4@4 e4@4 f#4@6 g4 ~ c#4@8 c4@8, ~@8 c4@7 e4@9 ~@8]/2",
K: "[e4@4 e4@4 [c4,d4]@6 c4 ~ c#4@8 ~@4 b3@3 c4, ~@15 b3@9 c4@7 ~]/2", L: "d4@3 e4 d4@3 e4 d4@3 e4 d4@3 c4, g3!2",
M: "[a3,b3]@3 ~", N: "e4!2 c4!2", O: "c#4!2 c4!2", P: "c#4!2 c4 ~", Q: "e4/4", R: "[e4,b5] [f#4,b5] [g4,b5] [b4,b5]",
S: "[e4,c#6] [f#4,c#6] [g4,c#6] [b4,c#6]", // C#m F#5 Gdim Bsus2
T: "[f#5,d#6]@8 [f#5,d#6]@8 b5 c6 b5 g5 f#5 g5 f#5 d#5 b4 c5 b4 g4 f#4 g4 f#4 d#4", // D#m
U: "[b3!7 g3!7 [g3,c5] g3 a3!8 e4 d4 c4 b3 c4 b3 c4 b3, e4@2 ~@2 e5@4 d5@6 ~ b4@9 ~@8]/2", // C5
V: "[e4 d4 c4 b3 c4 b3 c4 b3 e4 d4 c4 b3 c4 b3 [c4,g5] b3 e4 d4 c#4 b3 c#4 b3 c#4 b3 e4 d4 c4 b3 e4 d4 c4 b3, ~@4 e5@4 f#5@6 ~ e5@9 ~@8]/2", // C5
W: "[b3!8 g3!6 [g3,c5] g3 a3!8 c4!7 [c4,c5], ~@4 e5@4 d5@6 ~ b4@9 ~@4 b4@3 ~]/2", // C5 C
X: "e4 d4 c4 [b3,c5] e4 d4 c4 [b3,c5] e4 d4 c4 [b3,c5] e4 d4 c4 [b3,e5], b4@3 ~ b4@3 ~ b4@3 ~ b4@3 ~", // Cmaj7 E5
Y: "d#4!8 d#4@2 d#4@2 [d#4,b4]@2 [d#4,g5]@2, f#5@3 ~", // G#m D#
Z: "e4 d4 c4 b3 c4 b3 [c4,e5] b3 e4 d4 c4 b3 c4 b3 c4 b3, f#5@6 ~ g5@7 c5@2", // C
AA: "e4 d4 c#4 b3 c#4 b3 c#4 b3 e4 d4 c4 b3 c4 b3 c4 b3, b4@4 ~@2 b4 g5",
AB: "e4 d4 c4 b3 c4 b3 [c4,e5] b3 e4 d4 c4 b3 c4 b3 c4 b3, f#5@6 ~ g5@7 a5@2", // C
AC: "[e4 d4 c#4 b3 c#4 b3 c#4 b3 e4 d4 c4 b3 e4 d4 [c4,a5] b3 ~@4 g5@2 a5 e5@3 ~@2 g5@2 a5 d6@3 c6@2 b5@2 c6 b5@3 ~@2 g5@2 a5@2, a5@2 e5@6 ~@4 g5@2 ~ b5@3 ~@30, ~@16 e5@7 ~@25]/3", // F
AD: "[g5,b5]@4 [f#5,g5]@4 c5@4 ~@2 g5 f#5, ~@4 e5@3 ~, ~@3 b4", // G Gmaj7
AE: "[f#5@8 ~@4 g5@4 b5 c6 b5 g5 [f#5,g5] g5 f#5 d#5 b4 c5 b4 g4 f#4 g4 f#4 d#4 e4@8 f#4@8 g4@8 b4@8, ~@4 e5@4 f#5@2 ~@2 f#5@2 g5 e5@17]/2", // Gmaj7
AF: "[e4@4 f#4@4 ~@2 g5@2 f#5@2 g5 ~@2 g5 ~@2 f#4@4 g4@4 ~@2 f#5 g5, ~@8 g4@4 b4@3 a5@2 ~ e5@6 ~@4 b4@4, ~@4 e4 ~@3]/2",
AG: "[f#4@4 f#4@4 ~@2 g5@2 f#5@2 g5 ~ e5@4 f#5@4 g5@4 b5@4, f#5@8 f#4@4 f#4@3 b5@13 ~@4]/2",
AH: "e5@4 f#5@4 g5@4 b5@3 g5", AI: "a5 g5 e5 d5 f#5@4 g5@4 b5@4, e5 ~ e5@6",
AJ: "[a5@12 b5@2 c6 ~@5 g5@2 f#5 e5@3 ~@2 g5@2 a5 d6@3 c6@2 b5@2 c6 b5@3 ~@2 g5@2 a5@2, ~@5 b5 ~@10, ~@16 e5@7 ~@25]/3",
AK: "[b5@8 g5@8 e5@12 g5@2 f#5@10 ~@4 g5@4 f#5@4 g5@4 f#5@4 g5@2 e5@10 ~@8 b4!16, e5 ~@5]/3",
})).s("gm_violin").gain(0.1)
// chords · violin · "Violin I" · soft notes
const violin_soft = note("<~@4 A ~@3 B C D C B E F G ~@8 H@3 I J K L M@3 N@2 ~@33>".pickRestart({
A: "e5", B: "e4@2 ~@2 c4@3 ~", C: "c#4 c4", D: "e4 ~ c4@2", E: "c#4@8 c4@7 ~", F: "g3@8 g3@7 ~", G: "a3@3 ~",
H: "[b4,b5]", I: "[d#4,b5]@6 b4 g5", J: "f#5@6 e5 g5@7 c5@2", K: "b4@4 ~@2 b4 g5", L: "f#5@6 e5 g5@7 a5@2",
M: "[a5@2 e5@6 ~@4 g5@2 a5 b5@3 ~@2 g5@2 a5 e5@3 ~@2 g5@2 a5 d6@3 c6@2 b5@2 c6 b5@3 ~@2 g5@2 a5@2]/3",
N: "[b5@4 g5@4 e5@6 g5 f#5@5 ~@2 g5@2 f#5@2 g5@2 f#5@2 g5@2]/2",
})).s("gm_violin").gain(0.03)
// chords · violin · "Violin II"
const violin_2 = note(`<
A@3 ~ B@4 C D C E C F G H I J K L I M N@2 O P Q R S T S U V W X Y Z AA AB AC AD@2 AE@2 AF@2 AG AH AI AJ AK AL AM@2 AN
AO Z AA AB AP AQ AR AS AT ~@4 AU
>`.pickRestart({
A: "~@3 b5",
B: "[~@3 [b1,d#5,f#5,b5], [e2,e5]@7 e3@2 e3@2 e3 g5@3 e3@2 e3@2 e3@2 e3 b5 e3@9, ~ e3@2 e3@2 e3 b5@2 b5@5 e3 b5@2 ~@4 g5@4 ~@8, ~ f#5@3 [c2,e5]@4 [a1,e5,c#6]@4 ~@4, ~@2 g5@2 ~ f#5@3 ~ f#5@3 ~@4]/4", // B E C A
C: "[e2,b3,e4,f#4] [c2,g3,c4,e4]", D: "e4@4 c6 e6 g6 f#6, [a1,a3,c#4]@15 ~", E: "e4@4 b6 a6 g6 f#6, [a1,a3,c#4]@15 ~",
F: "e4@4 g6 f#6 e6 d6, [a1,a3,c#4]@15 ~", G: "c4 g3 e4 g3 f#4 g3 g4 g3, c2@15 ~",
H: "~ f#4@11 ~@4, [b1,a3]@3 ~, ~ [b3,d#4]@23 ~@8", // B7 B
I: "[b3,e4,f#4]@2 ~ e3 [g3,c4,e4]@2 ~ c3, e3@11 ~@5 c3@11 ~@5, ~ [b3,e4,f#4] ~ [g3,c4,e4]", // Bsus4 C Bsus4 C
J: "[a3,c#4,e4]@2 ~ a2 [a3,c4,e5] e4 f#4 [g4,d#6], a2@11 ~@5 a2@15 ~, ~@2 [a3,c#4,e4]@2 ~ g5@2 ~", // A Am Cm A
K: "[b3,e4,f#4]@2 ~ e3 [g3,c4,e4]@2 ~ c3, d6@3 ~, e3@11 ~@5 c3@11 ~@5, ~ [b3,e4,f#4] ~ [g3,c4,e4]", // Bsus4 C Bsus4 C
L: "[c#4,e4,a4]@2 ~ a2 b6 a6 g6 f#6, a2@11 ~@5 a2@15 ~, ~ [c#4,e4,a4] [c4,e4,b4] [c4,e4,g4]", // A Cmaj7 C
M: "[a3,c#4,e4]@2 ~ a2 g5@2 a5@2, a2@11 ~@5 [a2,c4,e4]@15 ~, ~ [a3,c#4,e4] ~@2", // A Am A
N: "[c4@2 g3@2 e4@2 g3@2 f#4@2 g3@2 g4@2 g3@2 ~ f#4@11 ~@4, b5@7 ~, c3@15 ~ [b2,a3]@12 ~@4, ~@33 [b3,d#4]@23 ~@8]/2", // B7 B
O: "e4 b3 f#4 b3 g4 b3 b4 c4, [c2,c3]@15 ~", P: "e4 b3 f#4 b3 g4 b3 b4 c4, [e2,e3]@15 ~",
Q: "e4 b3 f#4 b3 g4 b3 b4 c4, [a1,a2]@15 ~", R: "[b1,b2,f#4]@23 ~ [g2,b3]@4 [f#2,g4]@4",
S: "[b3,e4,f#4]@2 ~ e3 [g3,c4,e4]@2 ~ c3, [e2,e3]@11 ~@5 [c2,c3]@11 ~@5, ~ [b3,e4,f#4] ~ [g3,c4,e4]", // Bsus4 C E C Bsus4 C
T: "[a3,c#4,e4]@2 ~ a2 [a3,c4,e4]@2 b3 g4, [a1,a2]@11 ~@5 a2@15 ~, ~ [a3,c#4,e4] ~ e4", // A Am A
U: "[c#4,e4,a4]@2 ~ a2 [c4,e4,a4]@2 b4 c5, [a1,a2]@11 ~@5 a2@15 ~, ~ [c#4,e4,a4] ~@2", // A Am A
V: "[e4,f#4,b4]@2 [b3,e4,g4] [e3,a4] [c4,e4]@2 [c4,e4,b4] [c3,c5], [e2,e3]@11 ~@5 [c2,c3]@11 ~@5", // Esus2 Em A5 C Cmaj7 C E C
W: "[e4,a4,b4]@2 [e4,a4,d5] [a2,c5] [e4,a4,b4]@2 [e4,g4] a4, [a1,a2]@11 ~@5 a2@15 ~", // Esus4 Dsus2 Am Esus4 Em A
X: "[e4,f#4,b4]@2 ~ e3 [g3,c4,f#4]@2 ~ c3, [e2,e3]@11 ~@5 [c2,c3]@11 ~@5, ~ [b3,e4,g4] ~ [g3,c4,e4]", // Esus2 C E C Em C
Y: "[a3,c#4,e4]@8 ~@4 a2@4 [a2,a3,c4,e4]@15 ~, [a1,a2]@11 ~@21, ~ [a3,c#4,e4] ~@2", // A Am A
Z: "[e2,e3] ~@6 e3, [e4,b4,e5] [f#4,b4,f#5] [g4,b4,g5] [b4,b5], ~ e3@2 e3@2 e3@2 ~", // E E5 B5 G B
AA: "[c2,c3] ~@6 c3, [e4,b4,e5] [f#4,b4,f#5] [g4,b4,g5] [b4,b5], ~ c3@2 c3@2 c3@2 ~", // C E5 B5 G B
AB: "[a1,a2] ~@6 a2, [e4,c#5,e5] [f#4,c#5,f#5] [g4,c#5,g5] [b4,b5], ~ a2@2 a2@2 a2@2 ~", // A C#m F#5 Gdim B
AC: "[b4,f#5,d#6,f#6]@8 [b4,f#5,e6,f#6]@8 [b4,b5,b6] [c5,c6,c7] [b4,b5,b6] [g4,g5,g6] [f#4,f#5,f#6] [g4,g5,g6] [f#4,f#5,f#6] [d#4,d#5,d#6] [b4,b5] [c4,c5,c6] [b4,b5] [g3,g4,g5] [f#3,f#4,f#5] [g3,g4,g5] [f#3,f#4,f#5] [d#3,d#4,d#5], b2@15 ~, b3@12 b3 b3@2 ~", // B Bsus4 B C B G F# G …
AD: "[[b3,e4,f#4]@4 ~@2 e3@2 [g3,c4,e4]@4 ~@2 a4 ~ [a3,c#4,e4]@4 ~@2 a2@2 [a3,c4]@2 e4@2 f#4@2 g4@2, e3@11 ~@5 [c3,b4]@12 c3@4 a2@11 ~@5 a2@15 ~, ~@4 [b3,e4,f#4,b4]@4 ~@4 [g3,c4,e4]@3 a4@9 ~@8, ~@5 [a3,c#4,e4] ~@2]/2", // Bsus4 C A Am Cmaj7 Bsus4 C A
AE: "[[b3,e4,f#4]@4 ~@2 e3@2 [g3,c4,e4]@4 ~@2 d5 ~ [c#4,e4,a4]@4 ~@2 a2@2 b6@2 a6@2 g6@2 f#6@2, e3@11 ~@5 [c3,d5]@12 c3@4 a2@11 ~@5 a2@15 ~, ~@4 [b3,e4,f#4,b4]@4 ~@4 [g3,c4,e4]@3 c#5@9 ~@8, ~@5 [c#4,e4,a4] [c4,e4,b4] [c4,e4,g4]]/2", // Bsus4 C A Csus2 Bsus4 C A Cmaj7 …
AF: "[[b3,e4,f#4]@4 ~@2 e3@2 [g3,c4,e4]@4 ~@2 a4 ~ [a3,c#4,e4]@4 ~@2 a2@2 ~@4 f#5@3 g5, e3@11 ~@5 [c3,b4]@12 c3@4 a2@11 ~@5 [a2,c4,e4]@15 ~, ~@4 [b3,e4,f#4,b4]@4 ~@4 [g3,c4,e4]@3 a4@9 ~@8, ~@5 [a3,c#4,e4] ~@2]/2", // Bsus4 C A Cmaj7 Am Bsus4 C A
AG: "[c4,f#5]@2 ~ g5 [e4,f#5]@2 ~ g5 [f#4,f#5]@2 ~ g5 [g4,f#5]@2 ~ d5, c3@15 ~, ~ g3 ~ g3 ~ g3 ~ g3", // Cdim Esus2 F# Gmaj7
AH: "~ f#4@11 [g2,b3]@2 [f#2,g4]@2, [b2,a3,a5]@3 ~, ~ [b3,d#4]@23 ~@8", // G Gmaj7 B7 B
AI: "b3!8 c4!8, [e2,e3]@11 ~ e3@4 [c2,c3]@11 ~ c3@4, [e4,f#4]!2 [g3,e4]!2", // E C Esus2 C
AJ: "c#4!8 c4!8, [a1,a2]@11 ~ a2@4 a2@15 ~, [a3,e4]@2 [a3,e4]@2 [a3,e4]@2 b3 g4", // A A5
AK: "b4!8 c5!8, [e2,e3]@11 ~ e3@4 [c2,c3]@11 ~ c3@4, [b3,e4,f#4]!2 [g3,c4,e4]!2", // E C Bsus4 C
AL: "c#5!8 c5!8, [a1,a2]@11 ~ a2@4 a2@15 ~, [c#4,e4,a4]!2 [c4,e4,a4,b4] [c4,e4,g4], ~@6 b4 ~", // A Am C
AM: "[[e4,f#4,b4]@2 [b3,e4,g4] [e3,a4] [c4,e4]@2 [c4,e4,b4] [c3,c5] [e4,a4,b4]@2 [e4,a4,d5] [a2,c5] [e4,a4,b4]@2 [e4,g4] a4, e6, [e2,e3]@11 ~@5 [c2,c3]@11 ~@5 [a1,a2]@11 ~@5 a2@15 ~]/2", // Esus2 Em A5 C Cmaj7 C Esus4 Dsus2 …
AN: "[e4,f#4,b4,g5]@2 ~ e3 [g3,c4,f#4,c5]@2 ~ c3, [e2,e3]@11 ~@5 [c2,c3]@11 ~@5, ~ [b3,e4,g4,f#5] ~ [g3,c4,e4,b4]", // Em C E C Em Cmaj7
AO: "[a3,c#4,e4,f#5]@8 ~@4 a2@4 b5 c6 b5 g5 f#5 g5 f#5 d#5 b4 c5 b4 g4 f#4 g4 f#4 d#4, [a1,a2]@11 ~@5 [a2,a3,c4,e4]@15 ~, ~ [a3,c#4,e4,e5] ~@2", // F#m7 A Am A
AP: "[f#4,f#5,d#6,f#6]!4, [b2,b3]@15 ~", // D#m B
AQ: "[e2,e3] ~@6 e3, [e4,b4,e5,b5] [f#4,b4,f#5,b5] [g4,b4,g5,b5] [b4,b5], ~ e3@2 e3@2 e3@2 ~", // E E5 B5 G B
AR: "[c2,c3] ~@6 c3, [e4,b4,e5,b5] [f#4,b4,f#5,b5] [g4,b4,g5,b5] [b4,b5], ~ c3@2 c3@2 c3@2 ~", // C E5 B5 G B
AS: "[a1,a2] ~@6 a2, [e4,c#5,e5,c#6] [f#4,c#5,f#5,c#6] [g4,c#5,g5,c#6] [b4,b5,c#6], ~ a2@2 a2@2 a2@2 ~", // A C#m F#5 Gdim Bsus2
AT: "[f#5,f#6] [f#5,e6,f#6] [f#5,d#6,f#6] ~, [b2,b3]@23 ~@9, d#6 ~", AU: "~@17 [b2,e3,b3,d#4]@15, ~ [e2,f#3]",
})).s("gm_violin").gain(0.22)
// chords · violin · "Violin II" · soft notes
const violin_soft_2 = note("<A@4 B ~@4 C ~ C ~ C D E ~@8 F@2 G H ~@4 I@4 ~@28 J@2 K@3>".pickRestart({
A: "[~@5 e3@2 ~@6 e3@2 ~@6 e3@2 ~@5 f#5@4, [e2,e5] [c2,e5] [a1,e5] [b1,d#5], ~ e3@2 e3@2 ~@2 e3@2 e3@2 e3@2 ~@2 e3@2 e3@2 e3@2 ~@2 e3@2 e3@2 e3@5, ~ f#5@3 ~ f#5@3 ~ f#5@3 ~ e5@3, ~ g5 ~ g5 ~ g5 ~@2]/4", // E C A5 B
B: "b5@3 ~", C: "~ e4", D: "b3!2", E: "d#4 ~@31", F: "e5", G: "a5", H: "f#5@3 ~", I: "e5/4", J: "e6/2",
K: "[e6@24 f#6@16 e6@32 ~@8 d#5!16]/3",
})).s("gm_violin").gain(0.13)
// other · viola
const viola = note("<~@5 A@2 B ~@20 C D C E ~@4 F@2 G H ~@8 I J I J K L K M F@2 G N F@2 G O ~@5>".pickRestart({
A: "e3", B: "d#3", C: "b3!2 g3!2", D: "a3!4", E: "a3!3 ~", F: "b3!4", G: "c#4!4",
H: "d#5@8 d#5@8 b4 c5 b4 g4 f#4 g4 f#4 d#4 b3 c4 b3 ~@5", I: "f#3!8 e3!8", J: "e3!16",
K: "e4 d4 c4 b3 c4 b3 c4 b3 e4 d4 c4 b3 c4 b3 c4 b3", L: "e4 d4 c#4 b3 c#4 b3 c#4 b3 e4 d4 c4 b3 c4 b3 c4 b3",
M: "e4 d4 c#4 b3 c#4 b3 c#4 b3 e4 d4 c4 b3 e4 d4 c4 b3", N: "d#4!4", O: "d#4@3 ~",
})).s("gm_viola").gain(0.16)
// other · viola · soft notes
const viola_soft = note(`<
~@4 A ~@3 B C B C B C D E B C B C B C D F G@3 H ~@4 I@4 ~@3 J K@6 L M ~@16 N@2 O@3
>`.pickRestart({
A: "e3", B: "b3 g3", C: "a3!2", D: "c3!2", E: "f#3@3 ~", F: "d#3@3 ~", G: "e4", H: "b3@3 ~", I: "e4/4",
J: "~@27 g3 f#3 g3 f#3 d#3", K: "e3!8", L: "g3!8", M: "f#3!6 g3 f#3", N: "e4/2", O: "[e4@72 ~@8 f#4!16]/3",
})).s("gm_viola").gain(0.1)
// bass · contrabass
const bass = note("<~@27 A B C B C B C B C D E F G ~@29>".pickRestart({
A: "~@6 g1 f#1", B: "e1@3 e1 c1@3 c1", C: "a1@3 a1 a1@4", D: "e2!32", E: "c2!32", F: "a1!32", G: "b1!24 ~@8",
})).s("gm_contrabass").gain(0.49)
// bass · contrabass · soft notes
const bass_soft = note("<~@24 c2 e2 a1 [b1@3 ~] ~@40 [~@16 e1!16]>").s("gm_contrabass").gain(0.22)
// bass · acoustic bass
const bass_2 = note("<~@39 A B C B C B C D E F G F H F H F G I J K L I J K M N@4 ~>".pickRestart({
A: "~@6 g2 f#2", B: "e2 e2@5 e2@2 c2 c2@5 c2@2", C: "a1 a1@5 a1@2 a1 a1@5 a1@2", D: "c2 c2@5 c2@2 c2 c2@5 c2@2",
E: "b1 b1@5 b1@2 b1@4 g1@2 f#1@2", F: "e1@2 e2@2 ~@2 e1 c1@3 c2@2 ~@2 c1@2", G: "a1@2 a2@2 ~@2 a1 a1@9",
H: "a1@2 a2@2 ~@2 a1 a1@3 a2@2 a1@2 a1@2", I: "e2!32", J: "c2!32", K: "a1!32", L: "b1!32", M: "b1!24 ~@8",
N: "~ e1 ~ e1",
})).s("gm_acoustic_bass").gain(0.49)
stack(violin, violin_soft, violin_2, violin_soft_2, viola, viola_soft, bass, bass_soft, bass_2)
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Real transcriptions · Editable patterns · Instrumental
Type a song.
Get Strudel code.
Chords, structure, melody, bass and drums compiled from open transcriptions into Strudel live-coding patterns. Play it here, scrub through the bars, then open it in strudel.cc and start hacking.
Smells Like Teen SpiritNirvana
The JokerSteve Miller Band · 1973
Love Me DoThe Beatles · 1964
I Don't MindJames Brown · 1961
- Real transcriptionsMcGill chord charts, Lakh MIDI and quality-filtered PDMX scores. The library includes alternate transcriptions of some songs.
- One bar, one cycleEvery layer follows the same bar timeline, keeping the code, playback and song structure aligned.
- Instrumental by designDetected vocal parts are removed. Guitar riffs, harmonica and other instrumental leads stay.