0:00/0:00
// Ce n'est pas tout d'etre mon pere — Brassens Georges
// 160 bpm, 4/4, key D major. Source: midi.
// Generated by strudelify. One cycle = one bar.
// note: Full arrangement: all 132 bars on a 16-step grid, each part at one level. Source detail keeps the original performance.
setcpm(160/4)
// Notation: c3@3 lasts 3 steps · ~ is a rest · [c3,e3] is a chord · "a, b" plays two voices at once.
// A part's distinct bars are riffs (A, B, C...) played in order: edit a riff to change every repeat.
// chords · electric guitar jazz · "Guitare"
const electric_guitar_jazz = note(`<
A B C D E F E F E G H I E F E F E J H K L M N O L M P I L Q N O L M R S E F E F E G H I E F E F E J H K L M N O L M P
I L Q N O L M R S E F E F E G H I E F E F E J H K L M N O L M P I L Q N O L M R S E F E F E G H I E F E F E J H K L M
N O L M P I L Q N O L M R T
>`.pickRestart({
A: "[f#3,a3] [a3,d4] [d4,f#4] [c#4,e4] [b3,d4] [a3,c#4] [g3,b3] [f#3,a3]", // F#m D5 D C#m Bm A G F#m
B: "[e3,g3]@3 ~ [e3,g3]@5 ~ [d3,f#3]@2 [e3,g3]@2 [c#3,a3]@2", // Em D Em F#m
C: "[a2,d3,f#3]@3 ~ [f#2,a2,d3]@3 ~ [f#2,a2,d3]@3 ~ [f#2,a2,d3]@3 ~", // D
D: "[f#2,a2,d3]@3 ~ [f#2,a2,d3]@3 ~ [f#2,a2,d3]@3 ~ [f#2,a2,d3]@3 ~", // D
E: "[f#2,a2,d3]@3 ~ [f#2,a2,d3]@2 d3@2 [f#2,a2,d3]@2 a2@2 [f#2,a2,d3]@2 f#3@2", // D
F: "[g2,a2,c#3]@3 ~ [g2,a2,c#3]@3 ~ [g2,a2,c#3]@3 ~ [g2,a2,c#3]@3 ~, e3@11 ~@5", // A7
G: "[g2,a2,c#3]@3 ~ [g2,a2,c#3]@3 ~ [g2,a2,c#3]@2 d3@2 [g2,a2,c#3,d3]@2 d3@2, e3@5 ~@3", // A7 Gsus2
H: "[f#2,a2]@3 ~ [f#2,a2]@3 ~ [f#2,a2]@2 d3@2 [g2,b2,d3]@2 d3@2, d3@5 ~@3", // F#m G
I: "[f#2,a2]@3 ~ [f#2,a2]@3 ~ [f#2,a2]@3 ~ [f#2,a2]@3 ~, d3@11 ~@5", // F#m
J: "[g2,a2,c#3]@3 ~ [g2,a2,c#3]@3 ~ [g2,a2,c#3]@2 d3@2 [g2,b2,d3]@2 d3@2, e3@5 ~@3", // A7 G
K: "[f#2,a2,d3]@3 ~ d4@3 b3 a3@3 f#3 d3@3 ~, ~@4 [d3,f#3]@7 ~@5", // D
L: "[g2,b2]@3 ~ [g2,b2]@3 ~ [d3,g#3]@3 ~ [d3,g#3]@3 ~, e3@7 ~ b3@7 ~", // G Ddim
M: "[d3,f#3,a3]@3 ~ [d3,f#3,d4]@2 c#4@2 [d#3,f#3,b3]@2 a3@2 [a2,d#3,g3]@2 f#3@2", // D B Am7b5
N: "[g2,b2]@3 ~ [g2,b2]@3 ~ [g2,c#3,d#3]@3 [g2,c#3,e3]@2 f#3@3, e3@7 ~@9", // G D#7 C#dim
O: "[f#2,a2,d3]@2 d3@2 [f#2,a2,d3]@2 d3@2 [f#2,a2,d#3]@3 ~ [f#2,a2,b2]@3 ~", // D D#dim B7
P: "[g2,b2,e3]@3 ~ [g2,b2]@3 ~ [g2,c#3]@3 ~ [g2,c#3,f#3]@3 ~, ~@4 e3@7 ~@5", // Em G Gdim F#
Q: "[d3,f#3,a3]@3 ~ [d3,f#3,d4]@2 c#4@2 [d3,f#3,b3]@2 a3@2 [a2,d3,g3]@2 f#3@2", // D Bm Dsus4
R: "[g2,b2,e3]@3 ~ [g2,b2]@3 ~ [g2,c#3]@3 ~ [g2,c#3,e3]@2 f#3@2, ~@4 e3@7 ~@5", S: "[f#2,a2,d3]@11 ~@5",
T: "[f#2,a2,d3]@3 ~@5 [d3,f#3,a3,d4]@3 ~@5", // D
})).s("gm_electric_guitar_jazz").gain(0.18).pan(1)
// bass · fretless bass · "Contrebasse"
const bass = note(`<
A B C@3 D C D C E F C@2 D C D C E F C G H I J G H I K G H I J G H I L C D C D C E F C@2 D C D C E F C G H I J G H I K
G H I J G H I L C D C D C E F C@2 D C D C E F C G H I J G H I K G H I J G H I L C D C D C E F C@2 D C D C E F C G H I
J G H I K G H I J G H I M
>`.pickRestart({
A: "d3@3 ~ a2@3 ~ f#2@3 ~ d2@3 ~", B: "a2@3 ~ e2@3 ~ a1@7 ~", C: "d2@3 ~ d2@3 ~ d2@3 ~ d2@3 ~",
D: "a2@3 ~ a2@3 ~ a2@3 ~ a2@3 ~", E: "a2@3 ~ a2@3 ~ a2@3 ~ g2@3 ~", F: "d2@3 ~ d2@3 ~ d2@3 ~ g2@3 ~",
G: "e2@3 ~ e2@3 ~ f2@3 ~ f2@3 ~", H: "f#2@3 ~ f#2@3 ~ b1@3 ~ b1@3 ~", I: "e2@3 ~ e2@3 ~ a1@3 ~ a1@3 ~",
J: "d2@3 ~ d2@3 ~ g1@3 ~ g1@3 ~", K: "d2@3 ~ a2@3 ~ f#2@3 ~ d2@3 ~", L: "d2@3 ~ a1@3 ~ b1@3 ~ c#2@3 ~",
M: "d2@3 ~ a2@3 ~ [d2,d3]@3 ~@5", // D
})).s("gm_fretless_bass").gain(0.18).pan(0)
stack(electric_guitar_jazz, bass)
More by Brassens Georges
Brave MargotC major · 125 bpmChanson pour l'AuvergnatE minor · 180 bpmDans l'eau de la claire FontaineA minor · 110 bpmJ'ai rendez-vous avec vousA major · 133 bpmLe Petit ChevalC major · 190 bpmLe temps ne fait rien a l'affaireA major · 130 bpmLes amoureux des bancs publicsC minor · 126 bpmLes Amours d'antanA major · 134.4 bpm
Not in the database
That song isn't here.
Nothing in the database matches this link. It may have been renamed, or the address was mistyped. The closest songs to :
Real transcriptions · Editable patterns · Instrumental
Type a song.
Get Strudel code.
Chords, structure, melody, bass and drums compiled from open transcriptions into Strudel live-coding patterns. Play it here, scrub through the bars, then open it in strudel.cc and start hacking.
Smells Like Teen SpiritNirvana
The JokerSteve Miller Band · 1973
Love Me DoThe Beatles · 1964
I Don't MindJames Brown · 1961
- Real transcriptionsMcGill chord charts, Lakh MIDI and quality-filtered PDMX scores. The library includes alternate transcriptions of some songs.
- One bar, one cycleEvery layer follows the same bar timeline, keeping the code, playback and song structure aligned.
- Instrumental by designDetected vocal parts are removed. Guitar riffs, harmonica and other instrumental leads stay.