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// Le mauvais sujet repenti — Brassens Georges
// 130 bpm, 2/4, key Bb major. Source: midi.
// Generated by strudelify. One cycle = one bar.
// note: Full arrangement: all 167 bars on a 16-step grid, each part at one level. Source detail keeps the original performance.
setcpm(130/2)
// Notation: c3@3 lasts 3 steps · ~ is a rest · [c3,e3] is a chord · "a, b" plays two voices at once · [...]/2 spreads a riff over 2 bars.
// A part's distinct bars are riffs (A, B, C...) played in order: edit a riff to change every repeat.
// chords · acoustic guitar nylon
const acoustic_guitar_nylon = note(`<
A@4 ~ B@2 C D E@2 F@2 G@2 H I J@2 K L C B@3 C D E@2 F@2 G@2 H I J@2 K L C B@3 C D E@2 F@2 G@2 H I J@2 K L C B@3 C D
E@2 F@2 G@2 H I J@2 K L C B@3 C D E@2 F@2 G@2 H I J@2 K M@3 N@2 O P Q@2 R@2 S@2 T U V@2 W X O N@3 O P Q@2 R@2 S@2 T U
V@2 W X O N@3 O P Q@2 R@2 S@2 T U V@2 W X O N@3 O P Q@2 R@2 S@2 T U V@2 W Y@3
>`.pickRestart({
A: "[c4@4 c4@4 db4@4 eb4@4 db4@4 c4@4 db4@4 eb4@4 f4@4 g4@4 ab4@4 [c4,eb4,ab4,bb4]@7 ~ [bb3,d4,ab4,bb4]@7 ~ [g3,bb3,db4,eb4]@4, ~@12 ab3@14 ~@2 [ab3,c4]@7 ~ [ab3,eb4]@7 ~@21, ~@3 c4@2 ~@11]/4", // Ab Bb7 Eb7 Ab Ab5
B: "[ab3,c4,eb4] ~ [g3,db4,eb4] ~", C: "[ab3,c4,eb4] ~ [ab3,c4,eb4] ~", D: "[ab3,c4,eb4] ~ [b3,f4,g4] ~",
E: "[c4,eb4,g4] ~ [b3,f4,g4] ~", F: "[c4,eb4,g4] ~ [c4,eb4,g4] ~", G: "[b3,d4,f4,ab4] ~ [b3,d4,f4,ab4] ~",
H: "[g3,c4,eb4,g4] ~ [g3,c4,eb4,g4] ~", I: "[g3,c4,eb4] ~ [g3,eb4,g4] ~", J: "[ab3,db4,f4] ~ [ab3,db4,f4] ~",
K: "[ab3,c4,eb4] ~ [ab3,c4,eb4] [g3,db4,eb4]", L: "~ [ab3,db4,f4]@5 ~ [g3,db4,eb4]@5 ~@4",
M: "[~ [ab3,db4,f4]@5 ~ [g3,db4,eb4]@5 [ab3,c4,eb4,ab4]@14 ~@2 [a3,c4,eb4,f4,a4]@7 ~@13]/3", // Db Eb7 Ab F7
N: "[bb3,d4,f4] ~ [a3,eb4,f4] ~", O: "[bb3,d4,f4] ~ [bb3,d4,f4] ~", P: "[bb3,d4,f4] ~ [db4,g4,a4] ~",
Q: "[d4,f4,a4] ~ [db4,g4,a4] ~", R: "[d4,f4,a4] ~ [d4,f4,a4] ~", S: "[db4,e4,g4,bb4] ~ [db4,e4,g4,bb4] ~",
T: "[a3,d4,f4,a4] ~ [a3,d4,f4,a4] ~", U: "[a3,d4,f4] ~ [a3,f4,a4] ~", V: "[bb3,eb4,g4] ~ [bb3,eb4,g4] ~",
W: "[bb3,d4,f4] ~ [bb3,d4,f4] [a3,eb4,f4]", X: "~ [bb3,eb4,g4]@5 ~ [a3,eb4,f4]@5 ~@4",
Y: "[~ [bb3,eb4,g4]@5 ~ [a3,eb4,f4]@5 [bb3,d4,f4,bb4]@7 ~@9 [a4,eb5,f5]@7 ~@9 [bb4,d5,f5,bb5]@2 ~@2]/3", // Eb F7 Bb F7 Bb
})).s("gm_acoustic_guitar_nylon").gain(0.33).pan(1)
// bass · fretless bass
const bass = note(`<
A@4 B@8 C@7 D@8 E@8 F@8 G@8 H@8 I@8 J@8 K@8 L@8 M@8 N@8 O@8 P@8 Q@8 R@8 S@8 T@8 U@8 V@4
>`.pickRestart({
A: "[~@12 ab2@7 ~ eb2@7 ~ ab2@7 ~ c3@7 ~ f2@7 ~ bb2@7 ~ eb2@4]/4",
B: "[~@12 ab2@7 ~ eb2@7 ~ ab2@7 ~ eb2@7 ~ ab2@7 ~ eb2@7 ~ ab2@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ c2@4]/8",
C: "[~@4 c3@7 ~ f3@7 ~ d3@7 ~ b2@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ eb2@7 ~ c2@7 ~ db3@7 ~ db3@7 ~ bb2@7 ~ bb2@7 ~ eb3@4]/7",
D: "[~@4 eb3@7 ~ eb2@9 ~@2 eb2@5 ab2@7 ~ eb2@7 ~ ab2@7 ~ eb3@7 ~ ab2@7 ~ eb2@7 ~ ab2@7 ~ eb2@7 ~ ab2@7 ~ eb2@7 ~ ab2@7 ~ g2@7 ~ c3@4]/8",
E: "[~@4 g2@7 ~ c3@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ c2@7 ~ c3@7 ~ f3@7 ~ d3@7 ~ b2@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ eb2@7 ~ c2@7 ~ db3@4]/8",
F: "[~@4 db3@7 ~ bb2@7 ~ bb2@7 ~ eb3@7 ~ eb3@7 ~ eb2@9 ~@2 eb2@5 ab2@7 ~ eb2@7 ~ ab2@7 ~ eb3@7 ~ ab2@7 ~ eb2@7 ~ ab2@7 ~ eb2@7 ~ ab2@4]/8",
G: "[~@4 eb2@7 ~ ab2@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ c2@7 ~ c3@7 ~ f3@7 ~ d3@7 ~ b2@7 ~ g2@7 ~ c3@4]/8",
H: "[~@4 g2@7 ~ eb2@7 ~ c2@7 ~ db3@7 ~ db3@7 ~ bb2@7 ~ bb2@7 ~ eb3@7 ~ eb3@7 ~ eb2@9 ~@2 eb2@5 ab2@7 ~ eb2@7 ~ ab2@7 ~ eb3@7 ~ ab2@4]/8",
I: "[~@4 eb2@7 ~ ab2@7 ~ eb2@7 ~ ab2@7 ~ eb2@7 ~ ab2@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ c2@7 ~ c3@7 ~ f3@4]/8",
J: "[~@4 d3@7 ~ b2@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ eb2@7 ~ c2@7 ~ db3@7 ~ db3@7 ~ bb2@7 ~ bb2@7 ~ eb3@7 ~ eb3@7 ~ eb2@9 ~@2 eb2@5 ab2@4]/8",
K: "[~@4 eb2@7 ~ ab2@7 ~ eb3@7 ~ ab2@7 ~ eb2@7 ~ ab2@7 ~ eb2@7 ~ ab2@7 ~ eb2@7 ~ ab2@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ c3@4]/8",
L: "[~@4 g2@7 ~ c2@7 ~ c3@7 ~ f3@7 ~ d3@7 ~ b2@7 ~ g2@7 ~ c3@7 ~ g2@7 ~ eb2@7 ~ c2@7 ~ db3@7 ~ db3@7 ~ bb2@7 ~ bb2@7 ~ eb3@4]/8",
M: "[~@4 eb3@7 ~ eb2@9 ~@2 eb2@5 ab2@7 ~ g2@7 ~ f2@7 ~@9 bb2@7 ~ f2@7 ~ bb2@7 ~ f2@7 ~ bb2@7 ~ f2@7 ~ bb2@7 ~ a2@7 ~ d3@4]/8",
N: "[~@4 a2@7 ~ d3@7 ~ a2@7 ~ d3@7 ~ a2@7 ~ d2@7 ~ d3@7 ~ g3@7 ~ e3@7 ~ db3@7 ~ a2@7 ~ d3@7 ~ a2@7 ~ f2@7 ~ d2@7 ~ eb3@4]/8",
O: "[~@4 eb3@7 ~ c3@7 ~ c3@7 ~ f3@7 ~ f3@7 ~ f2@9 ~@2 f2@5 bb2@7 ~ f2@7 ~ bb2@7 ~ f3@7 ~ bb2@7 ~ f2@7 ~ bb2@7 ~ f2@7 ~ bb2@4]/8",
P: "[~@4 f2@7 ~ bb2@7 ~ a2@7 ~ d3@7 ~ a2@7 ~ d3@7 ~ a2@7 ~ d3@7 ~ a2@7 ~ d2@7 ~ d3@7 ~ g3@7 ~ e3@7 ~ db3@7 ~ a2@7 ~ d3@4]/8",
Q: "[~@4 a2@7 ~ f2@7 ~ d2@7 ~ eb3@7 ~ eb3@7 ~ c3@7 ~ c3@7 ~ f3@7 ~ f3@7 ~ f2@9 ~@2 f2@5 bb2@7 ~ f2@7 ~ bb2@7 ~ f3@7 ~ bb2@4]/8",
R: "[~@4 f2@7 ~ bb2@7 ~ f2@7 ~ bb2@7 ~ f2@7 ~ bb2@7 ~ a2@7 ~ d3@7 ~ a2@7 ~ d3@7 ~ a2@7 ~ d3@7 ~ a2@7 ~ d2@7 ~ d3@7 ~ g3@4]/8",
S: "[~@4 e3@7 ~ db3@7 ~ a2@7 ~ d3@7 ~ a2@7 ~ f2@7 ~ d2@7 ~ eb3@7 ~ eb3@7 ~ c3@7 ~ c3@7 ~ f3@7 ~ f3@7 ~ f2@9 ~@2 f2@5 bb2@4]/8",
T: "[~@4 f2@7 ~ bb2@7 ~ f3@7 ~ bb2@7 ~ f2@7 ~ bb2@7 ~ f2@7 ~ bb2@7 ~ f2@7 ~ bb2@7 ~ a2@7 ~ d3@7 ~ a2@7 ~ d3@7 ~ a2@7 ~ d3@4]/8",
U: "[~@4 a2@7 ~ d2@7 ~ d3@7 ~ g3@7 ~ e3@7 ~ db3@7 ~ a2@7 ~ d3@7 ~ a2@7 ~ f2@7 ~ d2@7 ~ eb3@7 ~ eb3@7 ~ c3@7 ~ c3@7 ~ f3@4]/8",
V: "[~@4 f3@7 ~ f2@9 ~@2 f2@5 bb2@7 ~@9 f2@7 ~@9 bb1@2 ~@2]/4",
})).s("gm_fretless_bass").gain(0.46).pan(0)
stack(acoustic_guitar_nylon, bass)
More by Brassens Georges
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- Real transcriptionsMcGill chord charts, Lakh MIDI and quality-filtered PDMX scores. The library includes alternate transcriptions of some songs.
- One bar, one cycleEvery layer follows the same bar timeline, keeping the code, playback and song structure aligned.
- Instrumental by designDetected vocal parts are removed. Guitar riffs, harmonica and other instrumental leads stay.