0:00/0:00
// My Way — Claude Francois and Jacques Revaux
// 80 bpm, 4/4, key D# major. Source: midi.
// Generated by strudelify. One cycle = one bar.
// note: Tempo changes preserved in elapsed time; displayed bars use the dominant tempo.
// note: Transcription provider: pdmx. https://musescore.com/score/5868934; license: https://creativecommons.org/publicdomain/zero/1.0/
// note: Full arrangement: all 50 bars on a 16-step grid, each part at one level. Source detail keeps the original performance.
setcpm(80/4)
// Notation: c3@3 lasts 3 steps · ~ is a rest · [c3,e3] is a chord · "a, b" plays two voices at once · [...]/2 spreads a riff over 2 bars.
// A part's distinct bars are riffs (A, B, C...) played in order: edit a riff to change every repeat.
// chords · piano
const piano = note(`<
A B C D E F G H I J K L M N O P Q R C D E F G H I J K L M N O P Q S T U V W X Y Z AA AB AC@2 AD@5
>`.pickRestart({
A: "bb4!2 eb5 [eb2,bb4] g5 bb4 eb5 bb4, eb2@3 ~ eb2@4", B: "~ bb4 eb5 [eb2,bb4] g5 bb4 eb5 bb3, eb2@3 ~ eb2@4",
C: "g4 bb4 eb5 [eb2,bb4] eb5 bb3 g4 bb3, eb2@3 ~ eb2@4", D: "g4 bb4 eb5 [d2,bb4] eb5 bb3 g4 f4, d2@3 ~ d2@4",
E: "g4 bb4 db5 [db2,bb4] f5 bb3 g4 f4, db2@3 ~ db2@4", F: "f4 e4 bb4 [c2,g4] bb4 c5 e5 c4, c2@3 ~ c2@4",
G: "ab4 eb5 f5 [f2,ab5] f5 c4 ab4 g4, f2@3 ~ f2@4", H: "ab4 eb5 f5 [eb2,ab5] f5 c4 ab4 g4, eb2@3 ~ eb2@4",
I: "ab4 bb4 f5 [d2,d5] bb5 ab4 bb4 f4, d2@3 ~ d2@4", // D
J: "ab4 g4 ab4 [eb2,eb5] g5 eb5 [bb2,bb5] [g2,eb4], eb2@3 ~ eb2@2 ~@2", // Eb Bb Cm
K: "eb2 bb2 eb3 bb2 [eb4,g4,bb4] a4 bb4 a4, [eb4,g4,bb4] eb2", // Eb
L: "eb2 bb2 eb3 bb2 [db4,f4,ab4,bb4] c5 g4 bb4, [db4,f4,ab4,bb4] eb2", // Bbm7
M: "ab2 eb3 ab3 eb3 [c4,eb4,ab4] g4 [c4,eb4,ab4] g4, [c4,eb4,ab4] eb2", // Ab
N: "[b3,eb4,bb4] ab4 ~ f2 [f2,eb4] [f2,b3] g2 ab2, f2@3 ~@5, ~ ab4 ~ [b3,eb4,f4,bb4]", // Bmaj7 F7 Fdim Bmaj7
O: "g4 bb3 eb4 [bb2,bb3] eb4 bb3 ab4 g4, bb2@3 ~ bb2@2 ~@2", // Bb
P: "f4 ab3 c4 [bb2,ab3] d4 ab3 eb4 f4, bb2@3 ~ bb2@2 bb2@2", // Bb7
Q: "f4 ab3 eb4 [eb2,ab3] c4 ab3 c4 [eb2,ab3], eb2@3 ~ eb2@3 ~", // Ab5
R: "eb4 g3 bb3 [eb2,g3] bb3 g3 ~@2, eb2@3 ~ bb2@2 ~@2", // Eb
S: "eb2@2 bb2@2 g2@2 eb2@2 [bb2,bb3,d4,g4]@3 [bb2,c4,f4,ab4]@2 [bb2,d4,g4,bb4]@3, [g3,bb3,eb4] ~", // Gm Fm Gm Eb
T: "eb2 bb2 eb2 bb2 [d4,g4,bb4]@2 [d4,g4,bb4]@2, [eb4,g4,bb4] eb2", // Gm Eb
U: "eb2 bb2 g2 bb2 [eb2,eb4,g4,bb4]@2 [eb2,eb4,g4,bb4]@2, [eb4,g4,bb4] ~", // Eb
V: "ab2 eb2 ab2 eb2 db5!2 c5 bb4, [eb4,ab4,c5]@2 ab2!2", W: "ab2 eb2 ab2 eb2 c5!2 d5 eb5, [eb4,g4,c5]@2 ab2 g2",
X: "eb5 ab4 c5 [f2,ab4] eb5 c5 [g2,eb5] [ab2,c5], f2@3 ~ f2@2 ~@2", // Fm Cm Ab
Y: "d5 eb4 ab4 [bb2,f4] d5!2 eb5 f5, bb2@3 ~ ab2@2 ab2@2", Z: "f5 bb4 d5 [g2,bb4] f5 g5 d5 f5, g2@3 ~ g2@2 g2@2",
AA: "eb5 g4 bb4 [c3,g4] eb5 d5 eb5 d5, c3@3 ~ c2@2 c3@2", // C5
AB: "eb5 eb4 ab4 [f2,c5] eb5 c5 [g2,f5] [ab2,c5], f2@3 ~ f2@2 ~@2", // F5 G7 Ab
AC: "[d5@2 f4@2 ~ ab4@2 [bb2,f4]@2 d5@2 d5@2 ~ eb5@2 f5@2 f5@2 f4@2 ~ ab4@2 [eb2,f4]@2 ab4@2 f4@2 ~, bb2@6 ~@3 bb1@4 ~ bb2@4 eb2@6 ~@3 eb2@5]/2", // Bb5 Ebsus2
AD: "[ab4@2 [eb2,f4]@2 eb5@2 bb4@2 ~ g4@2 [eb2,bb4]@2 [bb2,eb4]@2 [g2,g4]@2 ~ bb2@4 bb2@2 f3@2 ~ bb3@2 f3@2 ~@2 d5@2 ~ [ab4,c5,eb5]@2 [ab4,d5,f5]@2 eb2@2 c3@2 ~ ab3@2 c3@2 ab3@2 c3@2 ~ ab3@4 [g4,bb4,eb5]@4 ~ [eb4,g4,bb4]@4 [g3,bb3,eb4]@9 ~@4, ~@4 eb2@6 ~@8 bb3@2 ~@2 [f4,ab4,d5]@11 ~@7 [ab4,c5,eb5,f5]@17 ~@23, ~@31 bb1@9 ~@40]/5", // Ebsus2 Eb5 G Ab Ddim Eb Ddim Fm7
})).s("gm_piano").gain(0.3)
stack(piano)
More by
Not in the database
That song isn't here.
Nothing in the database matches this link. It may have been renamed, or the address was mistyped. The closest songs to :
Real transcriptions · Editable patterns · Instrumental
Type a song.
Get Strudel code.
Chords, structure, melody, bass and drums compiled from open transcriptions into Strudel live-coding patterns. Play it here, scrub through the bars, then open it in strudel.cc and start hacking.
Smells Like Teen SpiritNirvana
The JokerSteve Miller Band · 1973
Love Me DoThe Beatles · 1964
I Don't MindJames Brown · 1961
- Real transcriptionsMcGill chord charts, Lakh MIDI and quality-filtered PDMX scores. The library includes alternate transcriptions of some songs.
- One bar, one cycleEvery layer follows the same bar timeline, keeping the code, playback and song structure aligned.
- Instrumental by designDetected vocal parts are removed. Guitar riffs, harmonica and other instrumental leads stay.