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// Jimmy's Girl — Johnny Tillotson
// 108 bpm, 4/4, key Db major. Source: mcgill.
// Generated by strudelify. One cycle = one bar.
setcpm(108/4)
const chords = arrange(
// intro (8 bars)
[8, "<Db^7 [Ebm7@2 Ab7@2] Db^7 [Ebm7@2 Ab7@2] Db^7 [Ebm7@2 Ab7@2] Db^7 [Ebm7@2 Ab7@2]>"],
// verse (16 bars)
[16, "<Db^7!3 [Ebm7@2 Ab13@2] Db^7 [Ebm7@2 Ab13@2] Db^7 [Ebm7@2 Ab13@2] Db^7!3 [Ebm7@2 Ab13@2] Db^7 [Ebm7@2 Ab13@2] Db Db7>"],
// bridge (16 bars)
[16, "<Gb^7 Ab7 Db^7 Bbm Ebm7 Ab13 Db Db7 Gb^7 Ab7 Db^7 Bbm Eb9!2 Ab7!2>"],
// verse (8 bars)
[8, "<Db^7!3 [Ebm7@2 Ab13@2] Db^7 [Ebm7@2 Ab13@2] Db Db7>"],
// bridge (8 bars)
[8, "<Gb^7 Ab7 Db^7 Bbm Eb9!2 Ab7!2>"],
// verse (10 bars)
[10, "<Db^7!3 [Ebm7@2 Ab13@2] Db^7 [Ebm7@2 Ab13@2] Db^7 [Ebm7@2 Ab13@2] Db^7 [Ebm7@2 Ab7@2]>"],
// coda (6 bars)
[6, "<Db^7 Ab7 Db^7!2 ~ Db69>"],
)
const bassline = arrange(
[8, "<db2 [eb2@2 ab2@2] db2 [eb2@2 ab2@2] db2 [eb2@2 ab2@2] db2 [eb2@2 ab2@2]>"],
[16, "<db2!3 [eb2@2 ab2@2] db2 [eb2@2 ab2@2] db2 [eb2@2 ab2@2] db2!3 [eb2@2 ab2@2] db2 [eb2@2 ab2@2] db2!2>"],
[16, "<gb2 ab2 db2 bb2 eb2 ab2 db2!2 gb2 ab2 db2 bb2 eb2!2 ab2!2>"],
[8, "<db2!3 [eb2@2 ab2@2] db2 [eb2@2 ab2@2] db2!2>"],
[8, "<gb2 ab2 db2 bb2 eb2!2 ab2!2>"],
[10, "<db2!3 [eb2@2 ab2@2] db2 [eb2@2 ab2@2] db2 [eb2@2 ab2@2] db2 [eb2@2 ab2@2]>"],
[6, "<db2 ab2 db2!2 ~ db2>"],
)
// chords · gm_piano
const keys = chord(chords).voicing().s("gm_piano").gain(0.8)
// bass · gm_electric_bass_finger
const bass = note(bassline).s("gm_electric_bass_finger").gain(0.9)
// drums
const drums = s("[bd hh] [sd hh] [bd hh] [sd hh]").gain(0.8)
stack(keys, bass, drums)
More by Johnny Tillotson
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Real transcriptions · Editable patterns · Instrumental
Type a song.
Get Strudel code.
Chords, structure, melody, bass and drums compiled from open transcriptions into Strudel live-coding patterns. Play it here, scrub through the bars, then open it in strudel.cc and start hacking.
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- Real transcriptionsMcGill chord charts, Lakh MIDI and quality-filtered PDMX scores. The library includes alternate transcriptions of some songs.
- One bar, one cycleEvery layer follows the same bar timeline, keeping the code, playback and song structure aligned.
- Instrumental by designDetected vocal parts are removed. Guitar riffs, harmonica and other instrumental leads stay.