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// Cult Of Chucky Theme — Misc Soundtrack
// 150 bpm, 4/4, key D major. Source: midi.
// Generated by strudelify. One cycle = one bar.
// note: Transcription provider: pdmx. https://musescore.com/score/4828322; license: https://creativecommons.org/publicdomain/zero/1.0/
// note: Full arrangement: all 42 bars on a 16-step grid, each part at one level. Source detail keeps the original performance.
setcpm(150/4)
// Notation: c3@3 lasts 3 steps · ~ is a rest · [c3,e3] is a chord · "a, b" plays two voices at once · [...]/2 spreads a riff over 2 bars.
// A part's distinct bars are riffs (A, B, C...) played in order: edit a riff to change every repeat.
// chords · piano · "Piano, Electric Piano"
const piano = note(`<
A B C D E F G@2 H I J K L ~ M N O@2 P Q R S T U@3 V W X@2 Y Z@2 AA AB AC AD AE@2 AF@3
>`.pickRestart({
A: "[b5,c#6]@2 d6 ~ d6 ~ [b5,c#6,d6] ~ d6 ~ [b5,c#6,d6] ~@5, d6 ~@15", // Bsus2 Bm
B: "[b5,c#6,d6] ~ d6 ~ d6 ~ [b5,c#6,d6] ~ d6 ~ [b5,c#6,d6] ~@5, [f#4,a#4]@15 ~", // Bm F#
C: "[g5,a5]@2 a#5 ~ a#5 ~ [g5,a5,a#5] ~ a#5 ~ [g5,a5,a#5] ~@5, a#5 ~@15", // Gsus2 Gm
D: "[g5,a5,a#5] ~ a#5 ~ a#5 ~ [g5,a5,a#5] ~ a#5 ~ [g5,a5,a#5] ~@5, [f#4,a#4,d5]@15 ~", // Gm F#aug
E: "[b5,c#6]@2 d6 ~ d6 ~ [b5,c#6,d6] ~ d6 ~ [b5,c#6,d6] ~ f#2@2 f#2@2, d6 ~@15", // Bsus2 Bm
F: "[b5,c#6,d6] ~ d6 ~ d6 ~ [b5,c#6,d6] ~ d6 ~ [b5,c#6,d6] ~@5, [e4,g4,a#4]@15 ~", // Bm Edim
G: "[f#6,g#6]@2 a6 ~ a6 ~ [f#6,g#6,a6] ~ a6 ~ [f#6,g#6,a6] ~@5, a6 ~@15", H: "c#6 d6 f#6 g6",
I: "[b4,f5,c#6] [c#5,f#5,d6] f6 f#6", J: "f#6@2 g6@2 a6 ~ a#6@2, [g4,d5] [g4,d#5]", K: "~ [d4,d5,d6]",
L: "~ [d#4,d#5,d#6]", M: "[c6,d6]@2 d#6 ~ d#6 ~ [c6,d6,d#6] ~ d#6 ~ [c6,d6,d#6] ~@5, d#6 ~@15",
N: "e6 a5 c6 e5 c#6 g#5 g5 f5, e5@3 ~ f5@3 ~",
O: "[e6 a5 c6 e5 c#6 g#5 g5 ~ f6 a5 c6 f5 c#6 g#5 g5 f5, e5@3 ~ f5@3 f5@4 ~ g5@2 ~@2]/2",
P: "f6 a5 c6 f5 c#6 g#5 ~ f5, ~@2 g5!2", Q: "g5 d#5 g5 a5, g4 g#4", R: "g5 d#5 b4@2, a#4@2 g5 ~",
S: "a4 d4 f4 [a3,f4] c#4 c4 g#4@2, f4@2 ~@2 f#4@2 a#3 ~", T: "d4 f4 b4@2 f#4 c#4 c4 a#3, a4@2 a3 ~ c#5@4",
U: "[~@8 [a#2,c#3,e3]@8 ~@5 a#2@3 [c#3,e3] ~ [c#3,e3] ~ [c#3,e3] ~ [c#3,e3] ~ [a#5,d6]@2 ~@2 d6 b5 ~@2 d6 b5 ~@2 d6 b5 ~@2, f#3@17 ~ a#5 ~ a#5 ~ a#5 ~]/3", // A#dim C#m A#
V: "d6 b5 ~@2 d6 b5 ~@2 d6 b5 ~@2 d6 b5 ~@2, a#5 ~ a#5 ~ a#5 ~ a#5 ~", W: "f#5@2 d5@2 f#5@2 d4 g#5, d4 ~ d4 ~ d4 ~@3",
X: "[f#5@2 d5@2 d4 ~ d4 ~ d4 ~ d4 ~ d4 ~ d4 ~, d4@2 ~@2 d4@2 ~@2 f#5@19 ~@5]/2",
Y: "f#5@2 b5@2 c#6@2 d4 b5, d4 ~ d4 ~ d4 ~@3", Z: "[f4 ~ f4 ~ f4 ~ f4 ~ f4 ~ f4 ~ f4 ~ f4 ~, a#5@15 ~]/2",
AA: "[f#4,f#5]@2 d5@2 d4 ~ d4 [g#4,g#5], d4 ~ d4 ~ [f#4,f#5]@3 ~", // F# G# F#
AB: "[f#4,f#5]@2 d5@2 d4 ~ d4 ~, d4 ~ d4 ~ [f#4,f#5]@4", // F#
AC: "[g4,f#5] ~ [b4,b5]@2 [c#5,c#6]@2 [d5,d6]@2, f#4@2 g4 ~ g4 ~ g4 ~", AD: "d4 ~ d4 ~ d4 ~ d4 ~, [f4,f5]@15 ~",
AE: "~@2 d6 ~", AF: "[f#1@23 ~]/3",
})).s("gm_piano").gain(0.2)
// chords · piano · "Piano, Grand Piano"
const piano_2 = note("<A@2 B@2 A@2 C@2 ~@5 D E ~@10 F G H@4 I@2 H@2 J H K L M@3>".pickRestart({
A: "[b3,c#4,d4] ~ [b5,c#6] ~ [b5,c#6] ~ [b3,c#4,d4] ~ [b5,c#6] ~ [b3,c#4,d4] ~@5", // Bm Bsus2 Bm Bsus2 Bm
B: "[g3,a3,a#3] ~ [g5,a5] ~ [g5,a5] ~ [g3,a3,a#3] ~ [g5,a5] ~ [g3,a3,a#3] ~@5", // Gm Gsus2 Gm Gsus2 Gm
C: "[f#4,g#4,a4] ~ [f#6,g#6] ~ [f#6,g#6] ~ [f#4,g#4,a4] ~ [f#6,g#6] ~ [f#4,g#4,a4] ~@5", // F#m F#sus2 F#m F#sus2 F#m
D: "[c2,d2,d#2,c5,c#5,e5] ~ [c5,c#5,e5] ~ [c5,c#5,e5] ~ [c2,d2,d#2,c5,c#5,e5] ~ [c5,c#5,e5] ~ [c2,d2,d#2,c5,c#5,e5] ~@5", // C
E: "[c4,d4,d#4] ~ [c6,d6] ~ [c6,d6] ~ [c4,d4,d#4] ~ [c6,d6] ~ [c4,d4,d#4] ~@5", // Cm Csus2 Cm Csus2 Cm
F: "d4 b5 ~@2 [b3,c#4,d4]@2 ~@2 [b3,c#4,d4]@2 ~@2 [b3,c#4,d4]@2 ~@2, [b3,c#4] ~@7", // Bm Bsus2
G: "[b3,c#4,d4] ~ [b3,c#4,d4] ~ [b3,c#4,d4] ~ [b3,c#4,d4] ~", H: "[b3,c#4] ~ [b3,c#4] ~ [b3,c#4] ~ [b3,c#4] ~",
I: "[d4,e4] ~ [d4,e4] ~ [d4,e4] ~ [d4,e4] ~", J: "d4 ~ [d4,f#4] ~ [d4,f#4] ~ [d4,f#4] ~", K: "~@2 [f#5,g#5,c6] ~",
L: "~@2 [f5,g5,b5] ~", M: "[[c1,c#1,d1,d#1,e1,f1]@23 ~]/3",
})).s("gm_piano").gain(0.2)
// drums · hihat
const hihat = s("hh").struct("<[~@6 x!2] ~@41>").gain(0.2)
stack(piano, piano_2, hihat)
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- Real transcriptionsMcGill chord charts, Lakh MIDI and quality-filtered PDMX scores. The library includes alternate transcriptions of some songs.
- One bar, one cycleEvery layer follows the same bar timeline, keeping the code, playback and song structure aligned.
- Instrumental by designDetected vocal parts are removed. Guitar riffs, harmonica and other instrumental leads stay.