0:00/0:00
// There's Nothing Like This — Omar
// 72 bpm, 4/4, key G minor. Source: midi.
// Generated by strudelify. One cycle = one bar.
// note: Tempo changes preserved in elapsed time; displayed bars use the dominant tempo.
// note: pitch bends are ignored
// note: Full arrangement: all 78 bars on a 16-step grid, each part at one level. Source detail keeps the original performance.
setcpm(72/4)
// Notation: c3@3 lasts 3 steps · ~ is a rest · [c3,e3] is a chord · "a, b" plays two voices at once · [...]/2 spreads a riff over 2 bars.
// A part's distinct bars are riffs (A, B, C...) played in order: edit a riff to change every repeat.
// bass · synth bass 2
const bass = note(`<
A B A B A B A C A B A C D E A F G A C H I J K L E A F M F M N A B A C D E A C A B A C D E A F O A C H I J K L E P F M
Q R N A B A C A B P S A B A C D E A T
>`.pickRestart({
A: "eb2@2 ~ bb2 d3!2 ~ d3 ~ d3 ~ eb3 d3@2 bb2@2", B: "eb2@2 ~ bb2 d3!2 ~ d3 ~ d3 ~ eb3 d3!2 bb2@2",
C: "eb2@2 ~ bb2 d3!2 ~ d3 ~ d3 ~ eb3 d3 c3 bb2@2", D: "ab2@2 ~ eb3 g3!2 ~ g3 ~ g3 ~ ab3 g3@2 eb3@2",
E: "ab2@2 ~ eb3 g3!2 ~ g3 ~ g3 ~ ab3 g3 f3 eb3@2", F: "eb2@2 ~ bb2 d3!2 ~ d3 ~ d3 ~ eb3 d3 bb2 eb2@2",
G: "db2@2 ~ ab2 db3!2 ~ b1@2 gb2@2 a1 bb1@2 f2 bb1", H: "eb2@3 bb2 d3!2 ~ d3 ~ d3 ~ eb3 d3@2 bb2@2",
I: "eb2@3 bb2 d3!2 ~ d3 ~ d3 ~ eb3 d3!2 bb2 ~", J: "eb2@3 bb2 d3!2 ~ d3 ~ d3 eb3 d3 f3!2 bb2 ~",
K: "eb2@3 bb2 d3!2 ~ d3 ~ d3 ~ eb3 d3 c3 bb2 ~", L: "ab2@3 eb3 g3!2 ~ g3 ~ g3 ~ ab3 g3@2 eb3@2",
M: "db2@2 ~ ab2 db3!2 ~ b1 ~ gb2 ~ a1 bb1@2 f2 bb1", N: "eb2@2 ~ bb2 d3!2 ~ d3 ~@8",
O: "db2@3 ab2 db3!2 ~ b1@2 gb2@2 a1 bb1@2 f2 bb1", P: "eb2@2 ~ bb2 d3!2 ~ d3 ~ d3 eb3 d3 f3!2 bb2@2",
Q: "eb2@3 bb2 d3!2 ~ d3 ~ d3 ~ eb3 d3 bb2 eb2@2", R: "db2@3 ab2 db3!2 ~ b1 ~ gb2 ~ a1 bb1@2 f2 bb1",
S: "eb2@2 ~ bb2 d3!2 ~ d3 ~ bb1 ~ bb1 ~ bb1 ~ bb1", T: "eb2@2 ~ bb2 d3 bb1 ~ eb2 ~@8",
})).s("gm_synth_bass_2").gain(0.4).pan(0.7)
// chords · epiano1
const epiano1 = note(`<
~@18 A@2 B@2 C@3 D@2 E F G H B@2 I@3 J@3 ~@10 A@2 B@2 K@2 L D@2 M F M H@2 F N@2 B@6 O@3 J@3
>`.pickRestart({
A: "[~@11 [g3,bb3,d4,f4] ~ [f3,ab3,c4,eb4] ~ [g3,bb3,d4,f4]@7 ~ [g3,bb3,d4,f4] ~@8]/2", // Gm7 Fm7 Gm7
B: "[[g3,bb3,d4,f4]@6 ~ [g3,bb3,d4,f4] ~@3 [g3,bb3,d4,f4] ~ [f3,ab3,c4,eb4] ~ [g3,bb3,d4,f4]@7 ~ [g3,bb3,d4,f4] ~@8]/2", // Gm7 Fm7 Gm7
C: "[[g3,bb3,d4,f4]@6 ~ [g3,bb3,d4,f4] ~@3 [g3,bb3,d4,f4] ~ [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4]@6 ~@2 [ab3,c4,eb4,g4] ~ [eb4,g4] f4 ~@2 [ab3,c4,g4,bb4] ~ [g4,bb4] eb4 ~ [g3,ab3,c4,eb4] ~@4 [ab3,c4,eb4,f4] ~ [ab3,c4,eb4,g4] ~ [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~@2, ~@25 [ab3,c4]@2 ~@4 [ab3,c4]@2 ~@15]/3", // Gm7 Abmaj7 Eb Abmaj7 Gm Abmaj7 Fm7 Abmaj7 …
D: "[[g3,bb3,d4,f4]@7 [g3,bb3,d4,f4] ~@3 [g3,bb3,d4,f4] ~ [f3,ab3,c4,eb4] ~ [g3,bb3,d4,f4]@7 ~ [g3,bb3,d4,f4]@5 ~@4]/2", // Gm7 Fm7 Gm7
E: "[f3,ab3,c4,eb4]@6 ~ [eb3,gb3,bb3,db4]@5 [f3,ab3,c4,eb4]@3 ~", F: "[g3,bb3,d4,f4]@7 [g3,bb3,d4,f4] ~@8",
G: "[f3,ab3,c4,eb4]@5 ~@2 [eb3,gb3,bb3,db4]@4 ~ [f3,ab3,c4,eb4]@3 ~", H: "[g3,bb3,d4,f4]@6 ~ [g3,bb3,d4,f4] ~@8",
I: "[[g3,bb3,d4,f4]@6 ~ [g3,bb3,d4,f4] ~@3 [g3,bb3,d4,f4] ~ [f3,ab3,c4,eb4] ~ [g3,bb3,d4,f4]@7 ~ [g3,bb3,d4,f4] ~@3 [g3,bb3,d4,f4] ~ [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4]@6 ~@2 [ab3,c4,eb4,g4] ~ [ab3,c4,eb4,g4] f4 ~ g4 f4 ~@2, ~@22 [ab3,c4,eb4] ~]/3", // Gm7 Fm7 Gm7 Abmaj7 Ab
J: "[~ [ab3,c4,eb4,g4] ~ [ab3,c4,eb4,g4] f4 ~@3 [ab3,c4,eb4]!2 ~ [ab3,c4,eb4,g4] ~ [ab3,c4,eb4,f4] ~ [g3,bb3,d4,f4]@7 ~ [g3,bb3,d4,f4] ~@3 [g3,bb3,d4,f4] ~ [f3,ab3,c4,eb4] ~ [g3,bb3,d4,f4]@7 ~ [g3,bb3,d4,f4] ~@8]/3", // Abmaj7 Ab Abmaj7 Fm7 Gm7 Fm7 Gm7
K: "[[g3,bb3,d4,f4]@6 ~ [g3,bb3,d4,f4] ~@3 [g3,bb3,d4,f4] ~ [g3,ab3,c4,eb4] ~ [ab3,c4,eb4,g4]@4 f4 ~ [ab3,c4,eb4,f4] ~@5 g4 f4@2 [ab3,c4,eb4,g4] ~, ~@27 [ab3,c4,eb4]@3 ~@2]/2", // Gm7 Abmaj7 Fm7 Abmaj7 Ab
L: "~@3 [ab3,c4,eb4,f4] ~ [ab3,c4,eb4,f4] ~ [ab3,c4,eb4,g4] ~ g4 f4 ~@2 f4 ~@2, ~@9 [ab3,c4,eb4]@2 ab3@3 ~@2, ~@6 [c4,eb4] ~", // Fm7 Abmaj7 Ab Cm
M: "[f3,ab3,c4,eb4]@5 ab3 ~ [eb3,gb3,bb3,db4]@4 ~ [f3,ab3,c4,eb4]@3 ~", // Fm7 Ebm7 Fm7
N: "[[g3,bb3,d4,f4]@7 [g3,bb3,d4,f4] ~@3 [g3,bb3,d4,f4] ~ [f3,ab3,c4,eb4] ~ [g3,bb3,d4,f4]@7 ~ [g3,bb3,d4,f4] ~@8]/2", // Gm7 Fm7 Gm7
O: "[[g3,bb3,d4,f4]@6 ~ [g3,bb3,d4,f4] ~@3 [g3,bb3,d4,f4] ~ [f3,ab3,c4,eb4] ~ [g3,bb3,d4,f4]@7 ~ [g3,bb3,d4,f4] ~@3 [g3,bb3,d4,f4] ~ [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4]@5 ~@3 [ab3,c4,eb4,g4] ~ [ab3,c4,eb4,g4] f4 ~ g4 f4 ~@2, ~@22 [ab3,c4,eb4] ~]/3", // Gm7 Fm7 Gm7 Abmaj7 Ab
})).s("gm_epiano1").gain(0.35).pan(0.3)
// chords · acoustic guitar nylon
const acoustic_guitar_nylon = note(`<
~@6 A@6 B C A@2 D E F A@4 B C A@2 G F G H A F A F B I A F J@4 K@2 L@2 M L@2 J@4 K@2 L@2 N L N H F O F O F O F O F O F
O I@2 F H
>`.pickRestart({
A: "[g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~@2 [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~@2", // Gm7
B: "[g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~@2 [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~@2", // Abmaj7
C: "[g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~@2 [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~@2 [g3,ab3,c4,eb4]@4", // Abmaj7
D: "[f3,ab3,c4,eb4] ~ [f3,ab3,c4,eb4] ~@2 [f3,ab3,c4,eb4] ~@3 [eb3,gb3,bb3,db4] ~@2 [f3,ab3,c4,eb4] ~@3", // Fm7 Ebm7 Fm7
E: "[g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~@2 [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4]@3 ~@2", // Gm7
F: "[g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~@2 [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4]@2 [g3,bb3,d4,f4]!2 ~", // Gm7
G: "[f3,ab3,c4,eb4] ~ [f3,ab3,c4,eb4] ~@2 [f3,ab3,c4,eb4] ~@3 [eb3,gb3,bb3,db4] ~@4 [f3,ab3,c4,eb4] ~", // Fm7 Ebm7 Fm7
H: "[g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~@2 [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~@8", // Gm7
I: "[g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~@2 [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4]@2 [g3,ab3,c4,eb4]!2 ~", // Abmaj7
J: "[g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~@2 [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] [g3,bb3,d4,f4]@2", // Gm7
K: "[g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~@2 [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] ~ [g3,ab3,c4,eb4] [g3,ab3,c4,eb4]@2", // Abmaj7
L: "[g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~@2 [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4]@3", // Gm7
M: "[f3,ab3,c4,eb4] ~ [f3,ab3,c4,eb4] ~@2 [f3,ab3,c4,eb4] ~@3 [eb3,gb3,bb3,db4] ~@2 [ab3,c4,eb4,f4]@3 ~", // Fm7 Ebm7 Fm7
N: "[f3,ab3,c4,eb4] ~ [f3,ab3,c4,eb4] ~@2 [f3,ab3,c4,eb4] ~ [eb3,gb3,bb3,db4]@4 ~ [ab3,c4,eb4,f4]@3 ~", // Fm7 Ebm7 Fm7
O: "[g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~@2 [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4] ~ [g3,bb3,d4,f4]!4 ~", // Gm7
})).s("gm_acoustic_guitar_nylon").gain(0.2)
// chords · string ensemble 1
const string_ensemble_1 = note(`<
~@4 A@4 ~@4 B@2 C@2 D E@6 B@2 C@2 D F D G A@4 B@2 C@2 ~@4 B@2 C@2 D E@6 B@2 C@2 D F D G H@8 ~@4 B@2 I@2
>`.pickRestart({
A: "[g3,bb3,d4]/4", B: "[g3,ab3,c4,eb4]/2", C: "[g3,bb3,d4]/2", D: "[ab3,c4,eb4]@7 [gb3,bb3,db4]@5 [ab3,c4,eb4]@4",
E: "[g3,bb3,d4]/6", F: "[g3,bb3,d4]", G: "[g3,bb3,d4] ~", H: "[g3,bb3,d4]/8", I: "[[g3,bb3,d4]@23 ~@9]/2",
})).s("gm_string_ensemble_1").gain(0.2).pan(0.3)
// other · string ensemble 1
const string_ensemble_1_2 = note("<~@3 A B@3 C ~@12 D ~ D ~@3 D ~@11 E ~@12 D ~ D ~@24>".pickRestart({
A: "~@15 bb5", B: "~ bb5 ~ g5 bb5 c6 ~@2 f5 ~ f5 ~ f5!3 bb5", C: "~ bb5 ~ g5 bb5 c6 ~@2 f5 ~ f5 ~ f5!3 ~",
D: "~ d5 g5 c6 bb5 ~@2 d5 g5 c6 bb5 ~@5", E: "~@3 f5",
})).s("gm_string_ensemble_1").gain(0.3).pan(0.7)
// other · pad new age
const pad_new_age = note("<~@31 [d5 ~ d5 ~ d5 eb5 g5 ~@9]!4 ~@27 [d5 ~ d5 ~ d5 eb5 g5 ~@9]!12 ~@4>")
.s("gm_pad_new_age").gain(0.3)
// drums · kick
const kick = s("bd").struct(`<
~@2 A@5 B A@3 C A B A B D A C A@3 C A B A E D F D G A E A B A H A B A@3 B A B A B D A C A C A B A I J B K H D G H C A
F A C A C A C A C A C A L
>`.pickRestart({
A: "x ~@2 x ~@7 x ~@3 x", B: "x ~@2 x ~@5 x ~ x ~@3 x", C: "x ~@2 x ~@5 x ~ x ~@4", D: "x ~@2 x ~@3 x ~ x ~ x ~@3 x",
E: "x ~@2 x ~@5 x!2 ~@5", F: "x ~@2 x ~@12", G: "x ~@6 x ~@8", H: "x ~@2 x ~@5 x!2 ~@4 x", I: "x ~@2 x ~@5 x ~@6",
J: "x ~@2 x ~@5 x ~@5 x", K: "x ~@2 x ~@3 x ~ x ~ x ~@4", L: "x ~@4 x ~ x ~@8",
})).gain(0.45)
// drums · rim
const rim = s("rim").struct(`<
~@2 A@3 B A@5 B A@6 B A@9 B A C A@18 B A@6 B A@4 C A B A D A B A B A B A@3 B A ~
>`.pickRestart({
A: "~ x ~ x", B: "~@4 x ~@7 x!2 ~ x", C: "~ x ~@2", D: "~@4 x ~@3 x!2 ~ x!3 ~ x",
})).gain(0.35)
// drums · snare
const snare = s("sd").struct(`<
~
[~@10 x ~ x!3 ~]
~@28
[~@9 x!2 ~@2 x!2 ~]
~@30
[~@9 x!2 ~@2 x!2 ~]
~@15
[~ x!3 ~@2 x ~@9]
>`).gain(0.45)
// drums · hihat
const hihat = s("hh").struct("<~@2 A@28 B A@30 B A C A@3 C A C A C A C A@3 D>".pickRestart({
A: "x!16", B: "x!7 ~ x ~@7", C: "x!15 ~", D: "x!5 ~ x ~ x ~@7",
})).gain(0.25)
// drums · open hat
const open_hat = s("oh").struct("<~@30 A ~@30 A ~ B ~@3 B ~ B ~ B ~ B ~@3 C>".pickRestart({
A: "~@7 x ~@8", B: "~@15 x", C: "~@5 x ~ x ~@8",
})).gain(0.45)
// drums · guiro
const guiro = s("guiro:0").struct(`<
~@2 A@3 B A B ~@11 A B A B A B A B A B A C A@3 B A B A@2 ~@11 A B A B A B A B A B A C A@3 B A B A@5 B A B A D
>`.pickRestart({
A: "~@2 x!2 ~@2 x!2 ~@2 x!2 ~@2 x!2", B: "~@2 x!2 ~@2 x!2 ~@2 x ~@3 x!2", C: "~@2 x!2 ~@2 x!2 ~@8",
D: "~@2 x!2 ~@2 x ~@9",
})).gain(6.29)
// drums · guiro
const guiro_2 = s("guiro:4").struct(`<
~@2 A@3 B A B ~@11 A B A B A B A B A B A C A@3 B A B A@2 D ~@10 A B A B A B A B A B A C A@3 B A B A@5 B A B A C
>`.pickRestart({
A: "x!4", B: "x ~@3 x ~@3 x ~@2 x!2 ~@3", C: "x!2 ~@2", D: "x",
})).gain(6.29)
stack(
bass, epiano1, acoustic_guitar_nylon, string_ensemble_1, string_ensemble_1_2, pad_new_age, kick, rim, snare, hihat,
open_hat, guiro, guiro_2
)
More by
Not in the database
That song isn't here.
Nothing in the database matches this link. It may have been renamed, or the address was mistyped. The closest songs to :
Real transcriptions · Editable patterns · Instrumental
Type a song.
Get Strudel code.
Chords, structure, melody, bass and drums compiled from open transcriptions into Strudel live-coding patterns. Play it here, scrub through the bars, then open it in strudel.cc and start hacking.
Smells Like Teen SpiritNirvana
The JokerSteve Miller Band · 1973
Love Me DoThe Beatles · 1964
I Don't MindJames Brown · 1961
- Real transcriptionsMcGill chord charts, Lakh MIDI and quality-filtered PDMX scores. The library includes alternate transcriptions of some songs.
- One bar, one cycleEvery layer follows the same bar timeline, keeping the code, playback and song structure aligned.
- Instrumental by designDetected vocal parts are removed. Guitar riffs, harmonica and other instrumental leads stay.