0:00/0:00
// Slipping Through My Fingers - Whole — seobowu03
// 120 bpm, 4/4, key F major. Source: midi.
// Generated by strudelify. One cycle = one bar.
// note: Transcription provider: pdmx. https://musescore.com/score/5844406; license: https://creativecommons.org/publicdomain/zero/1.0/
// note: Full arrangement: all 83 bars on a 16-step grid, each part at one level. Source detail keeps the original performance.
setcpm(120/4)
// Notation: c3@3 lasts 3 steps · ~ is a rest · [...]/2 spreads a riff over 2 bars.
// A part's distinct bars are riffs (A, B, C...) played in order: edit a riff to change every repeat.
// other · trumpet · "B♭ 트럼펫"
const trumpet = note(`<
~@9 A@2 B C D@3 E F G H I J K@2 L M@3 N@2 ~@8 O P@4 Q R S@2 T@2 U V W X@2 Y@2 ~@19 Z@2 AA@2 AB AC AD AE
>`.pickRestart({
A: "[g4@4 g4@2 a4 bb4@3 ~@4 bb4 c5]/2", B: "d5@2 d5 eb5", C: "d5 c5 bb4 a4",
D: "[~@2 g4 eb5 eb5@2 d5 d5@3 c5@3 c5 bb4 bb4@5 ~@4]/3", E: "~@7 g4", F: "g4 eb5@4 eb5 d5@2", G: "d5 c5@2 c5@3 f4!2",
H: "f4 d5@5 ~@2", I: "a4@6 ~ g4", J: "g4 eb5@3 eb5 d5@3", K: "[d5 c5 c5@4 f4 f4@3 ~@6]/2", L: "~@3 f4",
M: "[g4@2 eb5@2 eb5 d5@2 d5@2 c5@3 c5@2 f4 f4@2 d5@3 ~@2 f4@2]/3", N: "[f4 c5@3 c5 bb4@2 bb4@5 ~@4]/2",
O: "~@4 d4 f4 bb4 d5", P: "[d5 c5@3 c5@2 bb4 bb4@2 ~ f5@2 d5@2 bb4 a4@2 ~ f5@2 d5@2 a4 g4@2 c5@5 ~@2]/4",
Q: "~@2 c5 bb4!2 g4!2 f4", R: "f4 bb4@2 ~ d4 f4 bb4 d5", S: "[d5 c5@3 c5@2 bb4 bb4@5 ~@2 g4@2]/2",
T: "[g4@2 eb5@2 eb5@2 d5 d5@3 c5 c5@3 ~ f4]/2", U: "f4 d5@3", V: "d4@3 g4", W: "g4 eb5!2 d5",
X: "[d5 c5 c5@4 f4 f4@5 d4 f4 bb4 d5]/2", Y: "[eb5 f5@15]/2", Z: "[g4@4 g4@2 a4 bb4@3 ~@2 bb4@2 c5@2]/2",
AA: "[d5@4 d5@2 eb5 d5@3 c5 bb4@3 a4@2]/2", AB: "~@4 g4@2 g4 a4", AC: "bb4@2 ~@4 bb4 c5", AD: "eb5 d5 c5 bb4",
AE: "d5",
})).s("gm_trumpet").gain(0.3)
// other · trumpet · "트럼펫"
const trumpet_2 = note("<~@46 A B@2 C D E F@2 G H ~@8 I J@5 K L M@3 N@2 O@2 P Q R S>".pickRestart({
A: "~@3 g4", B: "[g4@6 bb4 bb4@3 a4 a4@3 ~ f4]/2", C: "f4 bb4@3", D: "a4@3 g4", E: "g4@3 bb4",
F: "[bb4 a4 a4@4 f4 d4@5 d4 f4!2 bb4]/2", G: "bb4 c5", H: "d5", I: "~@4 d4 f4 bb4 d5",
J: "[d5 c5@3 c5@2 bb4 bb4@2 ~ f5@2 d5@2 bb4 bb4@2 ~ f5@2 d5@2 bb4 a4@2 ~ f5@2 d5@2 a4 g4@2 c5@5 ~@2]/5",
K: "~@2 c5 bb4!2 g4!2 f4", L: "f4 bb4@2 ~ d4 f4 bb4 d5", M: "[d5 c5@3 c5@2 bb4 bb4@13 ~@4]/3",
N: "[eb4@4 eb4@2 f4 gb4@3 ~@2 gb4@2 ab4@2]/2", O: "[bb4@4 bb4@2 c5 bb4@3 a4 g4 g4@2 f4@2]/2", P: "~@4 eb4@2 eb4 f4",
Q: "g4@2 ~@4 gb4 ab4", R: "c5 bb4 ab4 g4", S: "bb4",
})).s("gm_trumpet").gain(0.3)
// other · french horn · "F 호른"
const french_horn = note(`<
A@2 B C A@2 B C@2 A@2 B C A D B E F G H I F G J E F G K L M@2 F J N O P Q L E R J N O P Q O Q F G H I F G H I ~ S T@4
U@2 V@2 W@5 X Y Z@3 ~@8
>`.pickRestart({
A: "eb3", B: "bb2", C: "d3", D: "f3", E: "bb2 d3", F: "eb3@3 eb3", G: "f3@3 a3", H: "bb3@3 c4", I: "d4 d3",
J: "bb2@3 c3", K: "bb3@3 bb3", L: "f3@3 f3", M: "[bb2@5 ~ bb2@2]/2", N: "d3@3 d3", O: "c3@3 c3", P: "c3 eb3",
Q: "bb2@3 bb2", R: "eb3@3 f3", S: "~@4 d3 f3 bb3 d4",
T: "[d4 c4@3 c4@2 bb3 bb3@3 f4@2 d4@2 bb3 a3@3 f4@2 d4@2 a3 g3@2 c4@5 ~@2]/4",
U: "[~@2 c4 ~ bb3@2 g3 f3@2 bb3@2 ~ d3 f3 bb3 d4]/2", V: "[d4 c4@3 c4@2 bb3 bb3@3 ~@2 d3 f3 bb3 d4]/2",
W: "[d4 c4@3 c4@2 bb3 bb3@2 ~ f4@2 d4@2 bb3 bb3@2 ~ f4@2 d4@2 bb3 a3@2 ~ f4@2 d4@2 a3 g3@2 c4@5 ~@2]/5",
X: "~@2 c4 bb3!2 g3!2 f3", Y: "f3 bb3@2 ~ d3 f3 bb3 d4", Z: "[d4 c4@3 c4@2 bb3 bb3@13 ~@4]/3",
})).s("gm_french_horn").gain(0.3)
stack(trumpet, trumpet_2, french_horn)
More by
Not in the database
That song isn't here.
Nothing in the database matches this link. It may have been renamed, or the address was mistyped. The closest songs to :
Real transcriptions · Editable patterns · Instrumental
Type a song.
Get Strudel code.
Chords, structure, melody, bass and drums compiled from open transcriptions into Strudel live-coding patterns. Play it here, scrub through the bars, then open it in strudel.cc and start hacking.
Smells Like Teen SpiritNirvana
The JokerSteve Miller Band · 1973
Love Me DoThe Beatles · 1964
I Don't MindJames Brown · 1961
- Real transcriptionsMcGill chord charts, Lakh MIDI and quality-filtered PDMX scores. The library includes alternate transcriptions of some songs.
- One bar, one cycleEvery layer follows the same bar timeline, keeping the code, playback and song structure aligned.
- Instrumental by designDetected vocal parts are removed. Guitar riffs, harmonica and other instrumental leads stay.