0:00/0:00
// What You Get Is What You See — Tina Turner
// 156 bpm, 4/4, key F major. Source: mcgill.
// Generated by strudelify. One cycle = one bar.
setcpm(156/4)
const chords = arrange(
// intro (16 bars)
[16, "<F [Fsus@2 Bb@2] C Bb F [Fsus@2 Bb@2] C Bb F [Bb@2 C@2] F [Bb@2 C@2] F [Bb@2 C@2] F [Bb@2 C@2]>"],
// verse (16 bars)
[16, "<F [Bb@2 C@2] F [Bb@2 C@2] F [Bb@2 C@2] F [Bb@2 C@2] F [Bb@2 C@2] F [Bb@2 C@2] F [Bb@2 C@2] F [Bb@2 C@2]>"],
// pre-chorus (9 bars)
[9, "<Bb [C@2 F@2] Bb C Bb [C@2 F@2] Bb C!2>"],
// chorus (15 bars)
[15, "<F [Gm7@2 Bb@2] C [Bb@3 C] F [Gm7@2 Bb@2] C [Bb@3 C] F [Gm7@2 Bb@2] C [Bb@3 C] [F@2 Gm7 F] Bb C>"],
// transition (4 bars)
[4, "<F [Bb@2 C@2] F [Bb@2 C@2]>"],
// verse (16 bars)
[16, "<F [Bb@2 C@2] F [Bb@2 C@2] F [Bb@2 C@2] F [Bb@2 C@2] F [Bb@2 C@2] F [Bb@2 C@2] F [Bb@2 C@2] F [Bb@2 C@2]>"],
// pre-chorus (11 bars)
[11, "<Bb [C@2 F@2] Bb C Bb [C@2 F@2] Bb C!4>"],
// chorus (15 bars)
[15, "<F [Gm7@2 Bb@2] C [Bb@3 C] F [Gm7@2 Bb@2] C [Bb@3 C] F [Gm7@2 Bb@2] C [Bb@3 C] [F@2 Gm7 F] Bb C>"],
// solo (12 bars)
[12, "<F [Gm7@2 Bb@2] C [Bb@3 C] F [Gm7@2 Bb@2] C [Bb@3 C] F [Gm7@2 Bb@2] C [Bb@3 C]>"],
// pre-chorus (11 bars)
[11, "<Bb [C@2 F@2] Bb C Bb [C@2 F@2] Bb C!4>"],
// chorus (15 bars)
[15, "<F [Gm7@2 Bb@2] C [Bb@3 C] F [Gm7@2 Bb@2] C [Bb@3 C] F [Gm7@2 Bb@2] C [Bb@3 C] [F@2 Gm7 F] Bb C>"],
// chorus (20 bars)
[20, "<F [Gm7@2 Bb@2] C [Bb@3 C] F [Gm7@2 Bb@2] C [Bb@3 C] F [Gm7@2 Bb@2] C [Bb@3 C] F [Gm7@2 Bb@2] C [Bb@3 C] F [Gm7@2 Bb@2] C [Bb@3 C]>"],
// fadeout (12 bars)
[12, "<F [Gm7@2 Bb@2] C [Bb@3 C] F [Gm7@2 Bb@2] C [Bb@3 C] F [Gm7@2 Bb@2] C [Bb@3 C]>"],
)
const bassline = arrange(
[16, "<f2 [f2@2 bb2@2] c2 bb2 f2 [f2@2 bb2@2] c2 bb2 f2 [bb2@2 c2@2] f2 [bb2@2 c2@2] f2 [bb2@2 c2@2] f2 [bb2@2 c2@2]>"],
[16, "<f2 [bb2@2 c2@2] f2 [bb2@2 c2@2] f2 [bb2@2 c2@2] f2 [bb2@2 c2@2] f2 [bb2@2 c2@2] f2 [bb2@2 c2@2] f2 [bb2@2 c2@2] f2 [bb2@2 c2@2]>"],
[9, "<bb2 [c2@2 f2@2] bb2 c2 bb2 [c2@2 f2@2] bb2 c2!2>"],
[15, "<f2 [g2@2 a2@2] c2 [bb2@3 c2] f2 [g2@2 a2@2] c2 [bb2@3 c2] f2 [g2@2 a2@2] c2 [bb2@3 c2] [f2@2 g2 a2] bb2 c2>"],
[4, "<f2 [bb2@2 c2@2] f2 [bb2@2 c2@2]>"],
[16, "<f2 [bb2@2 c2@2] f2 [bb2@2 c2@2] f2 [bb2@2 c2@2] f2 [bb2@2 c2@2] f2 [bb2@2 c2@2] f2 [bb2@2 c2@2] f2 [bb2@2 c2@2] f2 [bb2@2 c2@2]>"],
[11, "<bb2 [c2@2 f2@2] bb2 c2 bb2 [c2@2 f2@2] bb2 c2!4>"],
[15, "<f2 [g2@2 a2@2] c2 [bb2@3 c2] f2 [g2@2 a2@2] c2 [bb2@3 c2] f2 [g2@2 a2@2] c2 [bb2@3 c2] [f2@2 g2 a2] bb2 c2>"],
[12, "<f2 [g2@2 a2@2] c2 [bb2@3 c2] f2 [g2@2 a2@2] c2 [bb2@3 c2] f2 [g2@2 a2@2] c2 [bb2@3 c2]>"],
[11, "<bb2 [c2@2 f2@2] bb2 c2 bb2 [c2@2 f2@2] bb2 c2!4>"],
[15, "<f2 [g2@2 a2@2] c2 [bb2@3 c2] f2 [g2@2 a2@2] c2 [bb2@3 c2] f2 [g2@2 a2@2] c2 [bb2@3 c2] [f2@2 g2 a2] bb2 c2>"],
[20, "<f2 [g2@2 a2@2] c2 [bb2@3 c2] f2 [g2@2 a2@2] c2 [bb2@3 c2] f2 [g2@2 a2@2] c2 [bb2@3 c2] f2 [g2@2 a2@2] c2 [bb2@3 c2] f2 [g2@2 a2@2] c2 [bb2@3 c2]>"],
[12, "<f2 [g2@2 a2@2] c2 [bb2@3 c2] f2 [g2@2 a2@2] c2 [bb2@3 c2] f2 [g2@2 a2@2] c2 [bb2@3 c2]>"],
)
// chords · gm_piano
const keys = chord(chords).voicing().s("gm_piano").gain(0.8)
// bass · gm_electric_bass_finger
const bass = note(bassline).s("gm_electric_bass_finger").gain(0.9)
// drums
const drums = s("[bd hh] [sd hh] [bd hh] [sd hh]").gain(0.8)
stack(keys, bass, drums)
More by Tina Turner
Private Dancer1985 · G major · 116 bpmThe Best1989 · F major · 108 bpmWhat's Love Got To Do With It1984 · A♭ major · 98 bpmWe Don't Need Another Hero (Thunderdome)1985 · B major · 115 bpmDisco InfernoE♭ minor · 132 bpmGolden EyeB minor · 100 bpmI Don't Wanna Lose YouG minor · 116 bpmSteamy WindowsE minor · 134 bpm
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Real transcriptions · Editable patterns · Instrumental
Type a song.
Get Strudel code.
Chords, structure, melody, bass and drums compiled from open transcriptions into Strudel live-coding patterns. Play it here, scrub through the bars, then open it in strudel.cc and start hacking.
Smells Like Teen SpiritNirvana
The JokerSteve Miller Band · 1973
Love Me DoThe Beatles · 1964
I Don't MindJames Brown · 1961
- Real transcriptionsMcGill chord charts, Lakh MIDI and quality-filtered PDMX scores. The library includes alternate transcriptions of some songs.
- One bar, one cycleEvery layer follows the same bar timeline, keeping the code, playback and song structure aligned.
- Instrumental by designDetected vocal parts are removed. Guitar riffs, harmonica and other instrumental leads stay.