0:00/0:00
// My Love Is Your Love (Wyclef remix) — Whitney Houston
// 137 bpm, 4/4, key C major. Source: midi.
// Generated by strudelify. One cycle = one bar.
// note: duplicate parts dropped: ch 1 piano (copy of ch 6 synth brass 1)
// note: Full arrangement: all 179 bars on a 16-step grid, each part at one level; ghost notes are separate "_soft" parts. Source detail keeps the original performance.
setcpm(137/4)
// Notation: c3@3 lasts 3 steps · ~ is a rest · [c3,e3] is a chord · "a, b" plays two voices at once · [...]/2 spreads a riff over 2 bars.
// A part's distinct bars are riffs (A, B, C...) played in order: edit a riff to change every repeat.
// chords · synth brass 1
const synth_brass_1 = note(`<
A B C@2 D A B@2 A B E@2 A B F@2 A B C@2 D A B@2 A B E@2 A B F@2 A B C@2 D A B@2 A B E@2 A B F@4 A B C@2 D A B@2 A B
E@2 A B F@4 A B C G A B C G A B C G A B C G A B C G A B C G A B C G A B C G ~@16 A B C G A B C@2 D A B@2 A B E@2 A B
F@4 A B C G A B C G A B C G A B C G A B C G A B C G A B C G A B C G A B C G A B C G ~
>`.pickRestart({
A: "[g3,c4,e4]!16", B: "[g3,b3,d4]!16", C: "[a3,c4,e4]!16", D: "[a3,c4,f4]!16", E: "[c4,e4,a4]!16",
F: "[e3,g3,c4]!16", G: "[f3,a3,c4]!16",
})).s("gm_synth_brass_1").gain(0.45)
// bass · electric bass finger
const bass = note(`<
A B C@2 D E F B A B C@2 A B A@3 B C@2 D E F B A B C@2 A B A@3 B C@2 D E F B A B C@2 A B A@5 B C@2 D E F B A B C@2 A B
A@5 B C G A B C G A B C G A B C G A B C G A B C G A B C G A B C G A B C G A B C G A B C G A B C G A B C G A B C@2 D E
F B A B C@2 A B A@5 B C G A B C G A B C G A B C G A B C G A B C G A B C G ~@13
>`.pickRestart({
A: "c2 ~ c2 ~ c2!2 ~ c2!2 ~ c2 ~ c2!2 ~ c2", B: "g1 ~ g1 ~ g1!2 ~ g1!2 ~ g1 ~ g1!2 ~ g1",
C: "a1 ~ a1 ~ a1!2 ~ a1!2 ~ a1 ~ a1!2 ~ a1", D: "f2 ~ f2 ~ f2!2 ~ f2!2 ~ f2 ~ f2!2 ~ f2",
E: "e2 ~ e2 ~ e2!2 ~ e2!2 ~ e2 ~ e2!2 ~ e2", F: "d2 ~ d2 ~ d2!2 ~ d2!2 ~ d2 ~ d2!2 ~ d2",
G: "f1 ~ f1 ~ f1!2 ~ f1!2 ~ f1 ~ f1!2 ~ f1",
})).s("gm_electric_bass_finger").gain(0.8)
// chords · synth brass 1
const synth_brass_1_2 = note(`<
~@50 A B C@2 D A B@2 A B E@2 A B F@4 A B C G A B C G A B C G A B C G A B C G A B C G A B C G A B C G ~@12 A B C G A B
C G A B C@2 D A B@2 A B E@2 A B F@4 A B C G A B C G A B C G A B C G A B C G A B C G A B C G A B C G A B C G A B C G ~
>`.pickRestart({
A: "[g3,c4,e4]!2 ~@2 [g3,c4,e4] ~@2 [g3,c4,e4] ~ [g3,c4,e4]!2 ~ [g3,c4,e4] ~ [g3,c4,e4] ~", // C
B: "[g3,b3,d4]!2 ~@2 [g3,b3,d4] ~@2 [g3,b3,d4] ~ [g3,b3,d4]!2 ~ [g3,b3,d4] ~ [g3,b3,d4] ~", // G
C: "[a3,c4,e4]!2 ~@2 [a3,c4,e4] ~@2 [a3,c4,e4] ~ [a3,c4,e4]!2 ~ [a3,c4,e4] ~ [a3,c4,e4] ~", // Am
D: "[a3,c4,f4]!2 ~@2 [a3,c4,f4] ~@2 [a3,c4,f4] ~ [a3,c4,f4]!2 ~ [a3,c4,f4] ~ [a3,c4,f4] ~", // F
E: "[c4,e4,a4]!2 ~@2 [c4,e4,a4] ~@2 [c4,e4,a4] ~ [c4,e4,a4]!2 ~ [c4,e4,a4] ~ [c4,e4,a4] ~", // Am
F: "[e4,g4,c5]!2 ~@2 [e4,g4,c5] ~@2 [e4,g4,c5] ~ [e4,g4,c5]!2 ~ [e4,g4,c5] ~ [e4,g4,c5] ~", // C
G: "[f3,a3,c4]!2 ~@2 [f3,a3,c4] ~@2 [f3,a3,c4] ~ [f3,a3,c4]!2 ~ [f3,a3,c4] ~ [f3,a3,c4] ~", // F
})).s("gm_synth_brass_1").gain(0.66).pan(0.6)
// chords · synth strings 1
const synth_strings_1 = note(`<
~@16 A B C@2 D A E@2 A B F@2 A B G@2 A B H@2 D A E@2 A B F@2 A B I@4 A B C@2 D A E@2 A B F@2 A B G@4 ~@8 J K L M ~@8 J
K L M ~@4 J K L M ~@20 A B C@2 D A E@2 A B F@2 A B G@4 ~@8 J K L M ~@8 J K L M ~@17
>`.pickRestart({
A: "[g4,c5,e5]", B: "[g4,b4,d5]", C: "[[c5,e5], a4@15 ~]/2", D: "[a4,c5,f5]", E: "[g4,b4,d5]/2", F: "[c4,e4,a4]/2",
G: "[e4,g4,c5]/2", H: "[a4,c5,e5]/2", I: "[e4,g4,c5]/4", J: "[g3,c4,e4]", K: "[g3,b3,d4]", L: "[a3,c4,e4]",
M: "[f3,a3,c4]", // F
})).s("gm_synth_strings_1").gain(0.43).pan(0.4)
// drums · kick
const kick = s("bd").struct("<A@64 B@4 A@24 B@8 ~@7 C A@11 B A@14 B@4 A@31 B ~@8 D>".pickRestart({
A: "x!4", B: "x ~@3 x ~@2 x ~@2 x ~ x ~ x ~", C: "~@7 x", D: "x!16",
})).gain(0.8)
// drums · snare
const snare = s("sd").struct("<~@46 [~ x ~ x]!54 ~@4 [~ x ~ x]!66 ~@9>").gain(0.8)
// drums · clap
const clap = s("cp").struct("<~@46 [~ x ~ x]!54 ~@4 [~ x ~ x]!66 ~@9>").gain(0.8)
// drums · hihat
const hihat = s("hh").struct("<[x!4]!170 ~@9>").gain(0.8)
// drums · open hat
const open_hat = s("oh").struct("<[~ x ~ x ~ x ~ x]!170 ~@9>").gain(0.8)
// drums · crash
const crash = s("cr").struct(`<
~@16 A ~@15 A ~@17 A ~@13 B@4 ~@8 A ~@15 B@8 ~@19 B A ~@13 B@4 ~@8 A ~@22 B ~@9
>`.pickRestart({
A: "x", B: "x ~@3 x ~@2 x ~@2 x ~ x ~ x ~",
})).gain(0.8)
// drums · shaker
const shaker = s("sh").struct("<~@32 A@18 B A@13 C A C A@53 B A@13 C A C@2 A@36 ~@5>".pickRestart({
A: "~@2 x!2 ~@2 x ~@3 x!2 ~@2 x ~", B: "~@6 x ~@3 x!2 ~@2 x ~", C: "~@3 x ~@6 x!2 ~@2 x ~",
})).gain(0.8)
// drums · shaker · soft notes
const shaker_soft = s("sh").struct(`<
~@32
[~ x ~ x]!18
[~ x ~@2 x ~@7 x ~@3]
[~ x ~ x]!69
[~ x ~@2 x ~@7 x ~@3]
[~ x ~ x]!53
~@5
>`).gain(0.48)
stack(
synth_brass_1, bass, synth_brass_1_2, synth_strings_1, kick, snare, clap, hihat, open_hat, crash, shaker, shaker_soft
)
More by Whitney Houston
Greatest Love of AllA major · 64 bpmSaving All My Love For YouA major · 100 bpm1 Moment in TimeC major · 78 bpmDidn't We Almost Have It AllC major · 69 bpmI Wanna Dance With Somebody (Who Loves Me)D♭ major · 118 bpmI Will Always Love YouA major · 67 bpmI Have NothingG major · 51 bpmAll the Man That I NeedF minor · 76 bpm
Not in the database
That song isn't here.
Nothing in the database matches this link. It may have been renamed, or the address was mistyped. The closest songs to :
Real transcriptions · Editable patterns · Instrumental
Type a song.
Get Strudel code.
Chords, structure, melody, bass and drums compiled from open transcriptions into Strudel live-coding patterns. Play it here, scrub through the bars, then open it in strudel.cc and start hacking.
Smells Like Teen SpiritNirvana
The JokerSteve Miller Band · 1973
Love Me DoThe Beatles · 1964
I Don't MindJames Brown · 1961
- Real transcriptionsMcGill chord charts, Lakh MIDI and quality-filtered PDMX scores. The library includes alternate transcriptions of some songs.
- One bar, one cycleEvery layer follows the same bar timeline, keeping the code, playback and song structure aligned.
- Instrumental by designDetected vocal parts are removed. Guitar riffs, harmonica and other instrumental leads stay.